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Indies are always an extra challenge. The time is shorter because you have less money to spend and fewer days to shoot.

There's no better feeling than when I go outside and I see the faces of people who paid their money just to see me, that tells me the music is going where it's supposed to and that's encouraging.

I grew up on a council estate in south London; my dad was a bus driver and my mum sewed clothes to bring in extra money. My parents worked hard and were able to save up and buy a home for our family.

Having money has given me a certain freedom, but being in the public eye has taken away a lot.

What happened in the past can help you know what's going to happen in the future. That insight brings a next level of intelligence not just to sales and marketing but to ERP, where you can save more money in procurement or figure out whether the people you recruit are going to be successful in your organization.

We got bigger, much scarier competitors. We ended up with Microsoft, a company with all the money in the world, the way I look at those guys. And IBM, another company that, historically, dwarfed us.

Running on corporate-PAC money is a huge liability.

Similar to how 'Abolish ICE' rang the bell on this huge crisis on immigration, unifying around not taking corporate-PAC money gets everybody to pay attention to big money in politics.

Not taking corporate money is a core part of the progressive message.

We often judge people by their cars and the money they have... Sometimes worth is decided based on outer appearances and that's sad.

Wu-Tang Clan's first album, '36 Chambers,' there wasn't a lot of money given to make that album.

The field of ageing research is full of characters. We have hucksters claiming that cures for ageing can be bought and sold; prophetic seers, their hands extended for money, warning that immortality is nigh; and would-be Nobelists working methodically in laboratories in search of a pill to slow ageing.

If we make films only for the frontbenchers, we can't make money. Hence, we have to make it for a majority audience. As my films are mass films, I deal with emotions in raw form - they are not subtle. I don't mind being branded. That does not mean I like only those kinds of films.

I had been accepted to film school, but my parents couldn't afford it, and yet they made too much money for me to get a scholarship.

I'd like to think that people see there's two ways to do things. You can put a lot of money into a band and force people to like them or you can just find good bands and people will like them anyway.

I always said as long as I had enough money to feed myself and have a place to eat then I'd be doing music.

I would much rather pass up on some of that guaranteed money... and bet on myself and just see what happens.

I have way more experience being poor than I do having money.

I wish people would spend their money on hybrid cars.

I made a lot of money and had a great time playing with the words that make up the news. I exploited the laziness behind the news and people's reading habits.

You can be a champion and you can be flashy with money and cars but you have a big platform. What are you trying to change?

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