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We often judge people by their cars and the money they have... Sometimes worth is decided based on outer appearances and that's sad.

Wu-Tang Clan's first album, '36 Chambers,' there wasn't a lot of money given to make that album.

The field of ageing research is full of characters. We have hucksters claiming that cures for ageing can be bought and sold; prophetic seers, their hands extended for money, warning that immortality is nigh; and would-be Nobelists working methodically in laboratories in search of a pill to slow ageing.

If we make films only for the frontbenchers, we can't make money. Hence, we have to make it for a majority audience. As my films are mass films, I deal with emotions in raw form - they are not subtle. I don't mind being branded. That does not mean I like only those kinds of films.

I had been accepted to film school, but my parents couldn't afford it, and yet they made too much money for me to get a scholarship.

I'd like to think that people see there's two ways to do things. You can put a lot of money into a band and force people to like them or you can just find good bands and people will like them anyway.

I always said as long as I had enough money to feed myself and have a place to eat then I'd be doing music.

I would much rather pass up on some of that guaranteed money... and bet on myself and just see what happens.

I have way more experience being poor than I do having money.

I wish people would spend their money on hybrid cars.

I made a lot of money and had a great time playing with the words that make up the news. I exploited the laziness behind the news and people's reading habits.

You can be a champion and you can be flashy with money and cars but you have a big platform. What are you trying to change?

Well actually, some weeks they'll write that I'm jealous of living in her shadow. Then other weeks, they'll write that all I want to do is loaf around on her money! It's ridiculous!

I won't make a movie for money ever again.

There's always difficulties and challenges in every life, I don't care how much money you make, where you live... and that's something this film speaks to.

You know, social issue movies don't make a lot of money.

When I came into the NFL, there were three things that were very important to me: money, power and prestige. I was powerful now because I was a famous athlete. I had prestige because I was doing what everybody wanted to do. And I had a lot of money.

Lots of time people have the assumption that I'm making so much money that I don't care.

Without grounding, it's easy to embrace the 'baller' lifestyle: dropping out of tech, throwing money at cars, boats and real estate, and slipping into a cycle of spending and indulgence.

With an independent film, you have a little more freedom, and you also have less money, so you're sort of struggling to get it done, to get something that works. With a big studio, everything is there for you, and it's easier.

It's not just the players, it's the culture. Sometimes it's the people around them; the people who are looking after them - the money they're given. Some of the families give up their jobs and live off their sons. That would never have happened 10 years ago.

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