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I oughta be rich. But, you know, if you don't spend all your time looking after money, somebody else will. The guys who look after money, they're the ones who get the money.
If you're trying to work the art game, if you're like Andy Warhol or something, then you're in with cake-eaters of society. You want to get in with them and please them and get their money.
Some things I won't do for any amount of money. Like for instance, there's a couple of CEOs of very large corporations that offered me lots of money to do special pictures for them. And I just refused to do that. Even if it was a million dollars I wouldn't do it.
There is money to be made giving trick-shot shows at schools, clubs, tournaments, and even shopping centers. Pool shows on television almost always include a few fancy shots.
I don't pay good wages because I have a lot of money; I have a lot of money because I pay good wages.
I've spent a lot of money doing extensive research. I've spent a lot of time doing extensive research. I hope I have information the average person does not possess.
When I was 12 or 13, I made a commitment to myself to really get involved in something to do with space, and something to do with U.F.O.s if I ever had the money to do it.
I decided early on that I had to find some way of being involved in space and that I needed to make some money to be able to do it. Real estate was the medium.
The time will come when the average citizen will be able to travel in space. If you have the money, and the time, the trips will someday be available.
I'm lucky that the real estate business has been able to supply the money that the aerospace company requires.
How much money you get, depends on lots of extraneous things. It depends on how good you are at turning poetry into a marketable product, which is something it was never supposed to be. That's why many people suppose that the better the poet you are the lower your income should be, and that's probably true.
The catch in the industry is that if you want to get a picture made for little money, you have to get a big star. But the two are usually mutually exclusive.
We haven't made money in NASCAR in a long time.
You may be rich, but there is one thing you can't afford - that is, if you are a good sort - you can't afford to spend money on your own luxuries while there are people around you wanting the necessaries of life.
Just getting movies made is difficult because it takes a lot of money; I mean, it costs more money to make one movie than most bands will spend on every single record of their entire career; it's a huge undertaking.
They give me the money, I give them the book. Having input into the adaptation would be kind of like selling a house and coming back three years later and saying, 'Paint it this color!'
I didn't plan on rock-n-roll. I wanted to learn jazz; I got to know some people doing rock-n-roll with jazz, and I thought I could make some money playing music.
We made some mistakes. We had some managers we didn't like and had to get rid of, and that cost some money. Stuff like that. But overall, we did really well.
We're kidding on that. One of the things I insisted upon when we went into this project was that we are full partners, going fifty-fifty, both on the money and on the say of what's going on with the books.
Just being able to grind, day in and day out. You have to be a different kind of person to not just do the workouts, but to not make money for months at a time.
A club steeped in nearly 150 years of history is worth more to the local community than any amount of money can express.
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