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Our focus is still on country, but, really, on whatever music our artists are making.

I grew up in Southern California. I played in rock bands out here, and I've been around pop music my whole life. I've been around all music my entire life.

As a drag performer, my identity exists in music, art, and fashion, not in any one 'language' of gender or 'appearance.'

Siouxsie Sioux was such an inspiration when I was a teenager because I connected with these goth college students who listened to this genre of music. She showed me that femininity didn't necessarily have to look the way that I was familiar with. It could be more exciting and much more identifiable.

I'm always inspired by music, things of that nature. Just life in general. I'm happy to be waking up and having another chance at it.

Tap dancing is like... it's equivalent to music, not only for the African American community, but also for the world. Tap dancing is like language; it's like air: it's like everything else that we need in order to survive. I'm blessed and honored to be knowledgeable of the art form and to be a part of the art form.

I'm continuing the educational process of getting people to accept dance as music.

I feel it's my duty, my job, now to allow people to hear the dance to different genres of music, to ensure audiences have the chance to listen to tap dancing up against all these other styles.

You have to spend a lot more time on the road these days if you want to make a living with music.

I have always maintained that music videos and web series are opportunities for actors and technicians, who haven't been able to do films together, to collaborate and make something exciting.

I love pop, but with an edge so that's what I'd say my music is. And quite controversial.

The only thing I love and that I do take to heart is what I love doing, and that's my music.

I love 'White Christmas.' That's one of my favorites just because I love the music. I love the story, Bing Crosby. It's just one of my all time favorites. And it's hard to have a Christmas without seeing a little bit of Jimmy Stewart and angels running around town.

I like to think that I listen to Classic FM while domestic goddessing and, truth be told, I often do, but you know sometimes classical music can get a bit hectic and I just want to turn all the violins right down. That's when I pop the telly on.

You have to be unapologetically yourself. Once I was able to be proud of myself, it came across in my music really clearly.

But it's hard to support yourself from music when nobody knows you.

I feel like music is, you know, made to inspire, to heal, and to cope with. So, I hope that when my fans, or even just people who stumble across my music, I hope they get some type of feeling from it.

I finally decided to give music my all. If it didn't work out and I had to move home, fine. I had to give it 100% first.

I've been a fan of old country music, like Willie Nelson, Patsy Cline. I think I'm drawn to it because of the sense of sadness and sort of loss that a lot of good old country music has.

I can look back over my earlier music, and it takes me back to the place I was emotionally.

When you're making music or playing a song, I find the moments when there are no instruments being played even stronger than when they are being played. Because they add tension. It's also an ego-less thing - a place where you have no ego - when you're with a bunch of musicians who stop and listen instead.

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