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When you do something in music and see it happen again in the next generation, you know you're on the right wave length.
I've helped save so many families with my music and inspire so many people.
We think it's a blessing that we were able to bring our music to the world. That our music has not only inspired our communities but other communities. That's one of the greatest things an artist in any field could know: that you've touched the mind of another artist.
My music is almost like vomit! It's a horrible way to put it, but I feel it, I say it, and I doubt myself all the time throughout my whole life, but when it comes to music, I just don't. I don't doubt myself.
I want to make the music that's not there anymore. I'm so passionate about the singing voice... What I'm trying to do actually with my album is show that it's my voice that's leading. It's my voice that's the instrument.
It's my job to have ups and downs because it makes good music.
When I was at school and wasn't having a great time or when music wasn't going very well, I would eat, eat. Eating would make me feel better; when I felt lonely, I would eat.
When I write music, it's very strange: maybe it's normal, but I see things in songs in different colors.
I've had an amazing life, but I think I was born with a little bit of sadness in me. I've always been attracted to those things, whether it's sad movies, sad music... when you're sad, you feel everything in a greater way than you do when you're happy.
I don't think about whether it's gonna be a dance record or a ballad or anything when I'm making music. I sit in the studio and I think, 'How am I feeling today?' and I write how I feel. It's really, really simple.
I was really into the music of Cream after I finished composing the music for 'BTTB.'
I'm really bad writing the chase scenes or fighting scenes. I'm much better for writing, like, a more melancholic or tragic music.
I loved the freedom of improvised music.
My interests are moving toward both 'sound and music,' not just 'music.' I have been doing lots of field recordings and also collecting lots of strange sounds.
I think there's a genuine difference between the real and the virtual in music.
My audiences are generally mixed. Some people like techno, others are into the pop music, and others enjoy my film music.
I'm lucky that I have people listening to my music, waiting to see me in North America.
Somehow, I see music as a garden which has a lot of different styles: contemporary, classic, ethnic, Japanese, rock & roll, and so on. I can enjoy them all, and there is space for them all.
You can use existing music in a film, but creating a soundtrack is very different. One note can be enough.
Music has become something different from the past, when it was one hundred per cent live. Throughout the twentieth century, it was recorded, and the medium adjusted.
I want to capture the mood I have now, post-cancer, in my music.
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