I just think music is so intrinsically linked with images in the culture that we live in that you'll be hard-pressed to have an experience with the music without a preconceived notion.
Esperanza SpaldingRead
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I just think music is so intrinsically linked with images in the culture that we live in that you'll be hard-pressed to have an experience with the music without a preconceived notion.
I grew up in St. Louis in a tiny house full of large music - Mahalia Jackson and Marian Anderson singing majestically on the stereo, my German-American mother fingering 'The Lost Chord' on the piano as golden light sank through trees, my Palestinian father trilling in Arabic in the shower each dawn.
I love music, I've always done music, felt it on a spiritual level and I write for myself and not anybody else.
I do believe that my whole success goes back to that time I was arrested as a wayward boy at the age of thirteen. Because then I had to quit running around and began to learn something. Most of all, I began to learn music.
My main language was music, and my teacher was nature.
I used to be followed by a moon shadow. Now I'm followed by all these misconceptions, and they're like a ball and chain. I just want to write music from my heart and give people a message of hope and the search for a better place.
A priest once said to me, 'Think of a priest going to the altar as you walk out on the stage.' I would hate to think that anyone thought I was coming to preach. But art and music open up things that you can't put into words. It's about bringing joy when you go out there.
To stop the flow of music would be like the stopping of time itself, incredible and inconceivable.
The whole problem can be stated quite simply by asking "Is there a meaning to music?" My answer would be, "Yes", And "Can you state in so many words what the meaning is?" My answer to that would be "No."
I like things that don't sound particularly processed or mechanical or made by machines. I like music that contains human elements, with all their flaws. There's air in it, and you can hear a room of a bunch of guys playing. Those are the magic parts.
Through Kurt I saw the beauty of minimalism and the importance of music that's stripped down.
I used to think that, given enough goodwill, anybody would be able to 'get' any music, no matter how distant the culture from which it came. And then I heard Chinese opera.
I think ABBA have a pure joy to their music and that's what makes them extraordinary.
The devil, the originator of sorrowful anxieties and restless troubles, flees before the sound of music almost as much as before the Word of God....Music is a gift and grace of God, not an invention of men. Thus it drives out the devil and makes people cheerful. Then one forgets all wrath, impurity, and other devices.
There are only a few notes. Just variations on a theme.
I am not very relaxed about bad reviews. But I am resilient. I grieve, curse and swear, put on loud music, and get on with the next job.
He has Van Gogh's ear for music.
I think that when you're making your way up in the music industry, you have all these heroes and the reasons why they are your heroes. As soon as you get into the industry, your guidelines change a little bit. For me, my heroes now are great people first and great artists second.
The music of ABBA is not that happy. It might sound happy, in some strange way, but deep within, it's not happy music. It has that Nordic melancholic feeling to it. What fools you is the girls' voices. You know, I do think that is one of the secrets about ABBA. Even when we were really quite sad, we always sounded jubilant.
Live for yourself and you will live in vain; Live for others, and you will live again.
The most important thing is that you honor that musical integrity, whether you make music that sounds like ABBA or you make music that sounds like Void.
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