A premium site with thousands of quotes
We are very, very fortunate to have built a career based on playing the kind of music we play. In a lot of ways, it's a very eclectic style. It's not pop; it's not mainstream; so the fact that we have been able to have the career that we have had internationally, with all the success we've had, it's like a miracle. It's amazing.
Don't be afraid to play what you feel and what you think no matter what it is. If you play long enough, you start to move past your influences and find your own music.
The business of making music is changing so radically because of the Internet. It's become a lot more democratic in one respect, but in another respect there's no one left to guide and mentor young bands.
I'm lucky I actually make a living making music.
All the girls over there in Ireland are well versed in American country music. Jim Reeves and Patsy Cline are like king and queen over there.
Soon as I could play one guitar chord and laid my ear upon that wood, I was gone. My soul was sold. Music was everything from then on.
My music has been called so many different things over the years. I figure as long as it's selling, call it what you want.
What has started to interest me is how you use all the different disciplines and tools we have at our disposal, and that includes going into different art forms, like music and movement, because often they can tap into things that characters can't necessarily express through words. Audiences really enjoy that total experience.
'Black Watch' has taken its place in the canon of Scottish theatre, and that's fantastic. It's a very particular kind of theatre. It's about the music, the movement, the whole 'event' of it.
'Once' constantly surprises me. I think it's the power of the music and the storytelling that people connect with.
Some actors just have a quality, a way of combining music and character and story, where everything just falls into place.
I've been in very many situations where I've not liked the other members of the band or they have not liked me. I grew up presuming that's the way music was made. It doesn't need to be that way. It's taken me years years to find that out.
Music was so important to the culture when I was growing up in the Sixties and Seventies. We just expected that Bob Dylan was going to make a great record, and it was normal. It was like, 'Okay, here's another great record by Bob Dylan; here's another great record by Led Zeppelin.'
Comics, in a sense, the style, the images - it's almost like music. They say music is a universal language, but when the eyes behold something, a figure, somebody moving; it's real, and it cannot be denied.
I grew up watching 'Saturday Night Live' and those comedians - that's really even what got me into music was The Blues Brothers.
A lot has changed in music since I began playing in 1987.
For those of us who have had the good fortune of a career in music, we feel an obligation to speak out for the next generation of music makers.
Here's our shtick line to describe our music: It's our garage band attempt at our appreciation of jazz improvisation through the reality of rock 'n' roll.
Don't get me wrong: there are aspects of buying music online that I love. Instantly being able to hear a song the moment it crosses your mind? Where's the downside? However, I do feel for those too young to remember the thrill of going record shopping.
I don't think it's an artist's responsibility to be political all the time. I think your first responsibility as an artist is to make music that people will listen to and enjoy. However, I think that when you are able to say something that is moving and put it in a great song, then that is even better.
Even with G.O.O.D. Music, we have artists that have done very well, and we've had artists that haven't. Being attached to Kanye is only going to get you so far. You've still got to have the records and the talent and the artistry on your own to carry it.
Subscribe and get notification from us