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I saw the Abba musical, and I loved it, but my music was a little bit different, a little more black.

It's almost scary how amateur I am when it comes to musicals - I'm a musical goer, but I am not as obsessed with musicals as perhaps some of my theatrical friends are.

I always wanted to create my own musical world. That takes time and must be earned, and it does mean sometimes confronting the expectations of the audience.

'Evita' obviously would always be very special to me because it was the first major musical that I did on stage and created in the U.K. with Hal Prince directing.

I do think that it's better for a musical to live its life first because if you see it on the screen, would you like to go to the theater after that? Probably not. You've seen it. And that's the mystery of a musical that hasn't been filmed. You're bloody meant to go there and buy your ticket.

My musical tastes are very diverse. I just never felt like listening to certain kinds of bands. There's too much great stuff out there.

I never imagined that Hamilton would be turned into a musical, much less a hip-hop musical. I think I can safely say that that's the last thing I would have expected.

I really feel confident about my dancing now, so I hope there could be a place for me in the West End or on Broadway - maybe a musical, maybe my own show.

I've always played comedy. My background is musical comedy theatre, and that's really where my training is.

If you are in a play, and you catch a cold, you are able to muddle through. If you are carrying a musical, it's a different thing altogether. It's the great fear of any singer's life.

I remember Tim telling me that he had an idea for a musical and he said to me that he was hoping that ABBA would be writing the music, which I thought was a pretty wild idea because they were obviously known very much as pop writers.

The most important thing is that you honor that musical integrity, whether you make music that sounds like ABBA or you make music that sounds like Void.

Music produces a kind of pleasure which human nature cannot do without.

At one time musical theater, particularly in the '40s and '50s, was a big source of pop songs. That's how musical theater started, really - it was just a way of linking several pop songs for the stage.

We thought it would be great to see if you could put pop music back into musical theater.

For a while we were chasing a book by Graham Greene to do Brighton Rock as a musical. We didn't get the rights, so we decided to create something from scratch, with Jonathan. By that time we were big fans of his work.

We decided we didn't want to do a musical for TV because the idea of writing a musical that would be seen on television once seems insane.

Growing up, my father coached my basketball team, and my mother drove me into St. Louis for various rehearsals between musical productions and Radio Disney.

After I retired and came off the road, I gathered up all my musical instruments and suddenly, I wanted them all to be perfect.

The Midwest is a musical melting pot and the source and birthplace of several musical genres.

Over the years, I've come to realize that writing 'I Ain't Living Long Like This' was an exercise in combined musical influence, mostly that of Hank Williams, Chuck Berry, Elvis Presley, Jerry Lee Lewis, the Beatles, and Bob Dylan - artists no one has ever heard of.

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