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My musical knowledge goes beyond hip-hop.

I'm working on my life story. I'm not decided if it's going to be a musical or a movie with music in it.

I think percussions just been lying dormant in me for some time, and my musical aspirations have been unlocked now I have the time.

What a thrill it was to play opposite Maurice Evans in this brilliant, dazzling musical, based on the life of two of the greatest personalities in stage history.

Growing up, for me, it was in a musical family, so my mum and her brothers and sisters always sang. Every time I tried to join their group when I was little, they were like, 'Ah, darling, you're not too good - just sit back and watch us.'

I never danced a step in my life so naturally. My first motion picture was a musical, and Bob Fosse was the choreographer. I didn't exactly dance for Fosse, I just did the best that I could to do what he taught us to do.

Anytime I'm playing music or getting ready to record, Duane Allman will enter my thoughts, and so will Berry Oakley. It's part of my musical makeup and mental process when it comes to music. We learned to play together and taught each other a lot.

The musical theater is a glorious and distinctly American innovation in the history of theater.

Music is rhythm, and all theater is rhythm. It's about tempo and change and pulse, whether you're doing a verse play by Shakespeare or a musical.

My musical selections are a reflection of how I grew up. Because, back then, you could see Miles Davis and Ravi Shankar on the same stage. And nobody thought anything of it, other than the fact that it was great music.

Nina Simone is a musical genius and a rich and precious treasure who paid a heavy price for her artistic freedom.

At one point, some years ago, a nice gentleman had it in mind to do 'Outlander' the musical. His idea was to start with a CD of what you call a song cycle, with a dozen high points of the projected show. It turned out very well, though we had to stop doing it when the TV show came along.

At one point, some years ago, a nice gentleman had it in mind to do 'Outlander The Musical.'

I didn't necessarily set out to be in musical theater, but that's where my path has taken me, and I've been loving and enjoying it ever since.

I grew up doing certain little things in the musical theatre realm, but I didn't really understand that you could... make a career out of it.

I love musical theater because it's live. There is no Auto-Tune. There's no second chance. What you see is what you get. You have to be amazing every night.

Honestly, I actually would really love to see more musical theatre actors do the movie adaptations of shows - I think that would be really great to see.

A lot people hit the road trying to make some cash. We are out here trying to do something that we really believe in. That's what all of our musical heroes always did.

The issue I had with the Lightspeed albums was that usually the main purpose with them was to fulfil really dorky musical goals, like, 'I wonder if I can do that,' and it was all very personal. It was more that once I'd finished the goal of what the song was, I was kind of done. It was like ticking boxes.

It's great when it all comes together in a great musical like 'Sweeney Todd,' when Stephen Sondheim writes songs from heaven, the book is good and the staging is good. But it's very rare when that happens.

If you try to do a genuine rock musical, rock people will think you're flaccid and Broadway audiences will think you're too loud.

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