Explore Quotes on Musical

I can't draw a stick person. I can't play a musical instrument. But I've always had a knack for making money.

My family didn't come from fame. No one was musical in my family except for me.

Well, I love Bob Dylan, let's make that clear. He's one of my musical heroes.

I want to make 'Broadway' a word that doesn't have pejorative connotation. I don't want 'musical theater' to be a dismissive term. I want it to be something that people can be proud of, that people can say, 'Look at the possibilities.'

My job is the same if I'm making a new musical or making a play for sixty-five people or doing a live television broadcast. The job is to take care of the actor; the job is to create an environment where they can excel and try to access all their attributes.

Computers were never designed in the first place to become musical instruments. Within a computer, everything is sterile - there's no sound, there's no air. It's totally code. Like with computer-generated effects in movies, you can create wonders. But it's really hard to create emotion.

There are so many people from many different classes and ways of life who converge in one space to make a musical.

I am first, and foremost, an actor. That's what I am. To me, a song is a mini-drama. My musical ability informs the actor as well because it gives me a sense of timing that non-musicians don't have. So, one hand washes the other.

I'm a huge fan of R. Kelly's. He's a musical genius and probably the most prolific artist of the generation before mine.

A lot of singers find a musical genre people like and stick with it. That's being a conformist. I sing ballads, rock, salsa, rap.

I believe deeply that jazz is still a very vital music that has much to say, not just to eggheads, or whatever the musical equivalent of an egghead is, but to ordinary people.

I never wanted to be a wrestler, I wanted to get into musical theater. I always wanted to be on Broadway.

I come from a place where there's a lot of musical families.

We have big limitations by not having a drummer. It instantly informs a lot of our musical decisions when it comes to writing. What we end up coming out with is not very cerebral music.

'Boy,' 'October,' 'War,' 'The Unforgettable Fire' and 'The Joshua Tree,' those records, they're part of my musical DNA and structure.

I think I always told myself I would audition for the top musical theater schools, and if I didn't get into one of my top five schools, that would be my sign.

The whole college process for musical theatre majors is much different than others. The school sort of chooses you! Everyone knows which schools are the top schools and what tier each one is in. So if you get into a good school, you put it on your resume, and you already have a great reputation when you get to New York.

I did a musical when I was 17, an amateur show, and I loved it.

I'd like to do a play, and I'd like to do a musical.

I didn't go to drama school to be a musical theatre performer. I enjoyed it, but I didn't go to do that; I went to be an actor.

I'm a weird dichotomy of nerd, sports fan, and musical theater, so I'd love to do a superhero musical on Broadway. But all the good superheroes are claimed.