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I left the Pumpkins in 2010, and I just took a year off to hang with my family and be with my daughter and my son and my wife, and just get acclimatised to being off the road. Then I started looking at what was going to be the next part of my career/legacy, whatever you want to call it.
I was born in Saint Boniface, which is a small city right next to Winnipeg, nominally French speaking.
It's a shame, but every time I get something scientific in the script, I read up to find out what I'm talking about - but then I'm on to the next script and it's forgotten.
The late, great ABC golf anchor Jim McKay once advised me, 'When you look into the camera, imagine you are talking to one person on the other end.' The next time you hear 'Hello, friends' at the start of a broadcast, just know that I'm channeling my father at that very moment. I see him on the other side of that camera, smiling right back.
I want to find a niche crop that we can market to the world. Why can't we have the Almost Heaven Tomato? It can be the next Vidalia Onion or Idaho potato.
I didn't go into the NASA program to pick up rocks or to go the moon or anything else. I went in there because I was a military officer, and that was the next notch in my profession.
Who knows what technology will emerge in the next five years, let alone 20. Yet the education we provide our children now is supposed to last for decades. We cannot train them for jobs that do not even exist yet, but we can provide them with the minds and tools they'll need to adapt to our ever-changing set of circumstances.
A creative mindset is in increasingly high demand: employers are vying for workers who are able to dream big and deliver big with the next must-have product. Creative thinking fuels innovation, it leads to new goods and services, creates jobs and delivers substantial economic rewards.
Education is the foundation for all we do in life, it shapes who we are and what we aspire to be. Creativity fuels innovation, and it's what all states should strive to instill in the next generations.
When Kenny first came to me, I think he was thinking of making a nice little folk record, but in my opinion, folk music had come to an end and I felt he needed to go to the next step, the next generation.
In a perfect world, you make a seamless transition from one great era to the next, but that rarely happens. I've studied these things: how do you go from the Aikman-Irvin-Smith Cowboys to the next era? I'm all for continuity. I wish we could have done it that way with Bill Polian, Jim Caldwell, Peyton.
Often, I work out of my work. One work takes me to the next thing.
I'm delighted to be Number 1, but next week I don't want people to buy my record, I want them to buy Band Aid.
Next time we need to be on drugs and have lots of suffering and alcohol abuse going on while recording, I'm kinda picturing a Jerry Lee Lewis session from the mid Seventies.
If you can't find the next McDonald's, I'll find the next McDonald's. But it's vital to be with people who with looking for 'em, because they do exist. They are created.
When I first came to Congress, the party was supposed to help you. Now, when a new member is sworn in, he or she is told what their dues are - how much they are expected to raise for the party for the next election. It's worse in the Senate. It turns the whole place into a money machine.
The truth is that health-care reform will always be a nuisance, with version 2.0 followed by next year's 2.1. As long as it boosts productivity, it's worth it.
The challenge for young players is always stepping into the next level in terms of how much faster the game is.
I'm one of those people who think that stories should have a beginning, a middle and an end, and then they're over, and then you tell the next story.
The generation that comes next is always going to rebel against the generation that came before, and they're always going to be at odds with each other.
Music's always going to evolve, and we can't really stop that, so we have to figure out what's the next thing and how we move towards that as opposed to just being like, 'Oh, cool: let's just continue making tear-out EDM hits that are gonna last 2 months, and then somebody else is making the exact same thing under a different name.'
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