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I've got my foot in 'Saturday Night Live,' and my heart is there in a lot of ways, but I'm really pushing myself to do these new projects. It's scary as hell, but it's fun to have other things to keep my creative brain cooking.

I have jokes I've told before and will tell again, but my favorite part of the night is talking to the crowd.

I'm sure Adrien Broner would jump at the opportunity to pick up two belts in one night, and I think a lot of big names would take that opportunity.

I've always loved David Letterman. There was an irreverence to his show that I remember, especially in 'Late Night' - it always seemed so fresh.

Like everybody, I've stayed up at night regretting things - Why did I do that, say that - but at the end of the day, I really do believe everything happens for a reason.

There's no need for shadows when the Light has come, when the Star and the Sun have appeared - and Christ is both - bringing light to day and night.

I have been to Hollywood parties where people look at me like 'are you one of the waiters?' I have been to functions where people look at me sideways the whole night and it sucks. It hurts.

Clinton used to like to get out of the White House a lot. He would take night trips to McDonald's, and stuff like that. I think he wanted to get out of the house.

I worked every night, and I'd go 25, 35, 45 minutes, and that is what made me, and that is that I knew how to work, and I knew how to work the people.

My dad, being stone deaf, had a lot of balance problems, especially at night, and walking up stairs was like a perilous journey.

Writing is such a solitary existence, and I can only do it late at night.

Once you are first in the East, one of the top teams in the league, you have a target on your back every night.

Have you ever, on a cloudless night, looked down from a passing aircraft flying over Canada? Endless, glowing strings of cities, towns, and homesteads. Stretching on and on, one province to the next. With only the stars in the distance.

When you see your friends going out every Friday night, and earning two hundred quid at the building site, and you're earning twenty-five pounds at Arsenal, and you have to stay in every Thursday, Friday, you know it is hard.

Please, let's talk to American families and sit around the dinner table at night figuring how to pay their bills.

Working with Brock Lesnar is a daily challenge because every Monday night that we're on television, I feel compelled to deliver, at least from my end, the best performance I've ever put on.

Who can deny that it was a pleasure to watch Rob Van Dam interact with the audience and tear the house down for 30 minutes a night.

It was relatively easy to write 'The Cave of Lost Souls', though, because it came to me one night in a dream. I remember waking up and having this idea for a complete story - from start to finish - in my head, so I jotted it down, then later began writing the thing.

I'm going to play at the highest I can, the best I can every night. Wherever that lands me, that's where it lands me.

I think I had heard Al Di Meola on the radio when I was a kid, that acoustic record, 'Friday Night In San Francisco,' with Paco de Lucía and John McLaughlin. His picking was unbelievable. I thought it was incredible.

What keeps me up at night is our nation's continued and burgeoning lack of rationality in response to mass shootings.

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