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I think that's the thing I learned at 'Saturday Night Live' - any time I would try and strategize, I would always, always fall on my face. Things worked out when I tried to make it about what I was feeling at that moment and what I was into in that moment of my life.

The world at night, for much of history, was a very dark place indeed.

I grew up watching 'Saturday Night Live.'

One night, I just woke up and I went, 'Killing Jesus.' And I believe, because I'm a Catholic, that comes from the Holy Spirit. My inspiration comes from that. And so I wrote 'Killing Jesus' because I think I was directed to write that.

I do the dishes every night - other people volunteer, but I like the way I do it.

The Undertaker is the John Wayne of our business. I watched him come out and deliver some of the best matches night after night.

It does feel really good when you play a new song, and it's the loudest singalong of the night. It means just as much when we're playing the old songs, and people are singing along to those, too.

Each night, we try something new, play different songs, see what works, what goes down well, mix it up a bit until we find the right mix.

It's about just staying healthy, being on the floor, doing what you do. That's my niche, really. That's what I bring to the table. And every night I step on the floor, I just try to go out there and be aggressive, attack the boards, rebound the basketball, and give my team a chance to score.

I'll have a few pints the night before a match.

Every time we rock our babies in the night, we bring order back to a disordered world. Every time we look down at our children and cry, we make the world one shade brighter. That's what children do to us - and for us.

I did play a romantic part once - Orsino in 'Twelfth Night.'

Winning is not easy. There's an investment that has to be made night in and night out.

My ideal night would probably be a dope outfit, people that I love around me. Go to get some dinner, have some amazing food. Maybe sushi or Italian: I love both.

I want everyone to know that I always gave it the best shot I had, whether it went that way my night.

I think it's a tremendous honor to wear the blue and white and represent the city of Toronto and wear the Maple Leaf every night.

The problem is that a lot of the blues stations are late on Saturday night, and like a lot of people, I ain't no vampire!

I think that Undertaker, more than anybody in the industry, looks at his performance every single night, and no matter how good it is, even if it's perfect and sees it, that it could have been a little bit better. He's one of those guys.

We set up finishes for a reason so that you can build drama, work towards that finish. The drama is you don't quite get to hit it and that's why you didn't win that night. Had you hit that particular move, you would've won. Not that you hit it 4 or 5 times and the guy kicked out because guess what, it's no longer a finish.

It's an incredible thing when you are creating something in a moment with the other people on stage and with an audience, and you are all experiencing it together as it exists in that one night. It's a magical feeling.

I go out pretty much every night, and when you spend time in those clubs, watching how the DJs make their mash-ups to heat up the room, you want to create that sound yourself.

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