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As a kid I'd lie awake at night and convince myself that a meteor was about to hit the Earth. It's my fatalistic streak, which I've inherited from my mum. I firmly believe something cataclysmic is going to happen in my lifetime and I have to be prepared to run for my life when the time comes.

You want to enjoy your night, and you don't want to suffer in your heels too long. Lipstick compensates for the lack of heels. It's a good option, and it works.

If it is a relief to take your clothes off at night, be sure that something is wrong. Clothes should not be a burden. They should be a comfort and a protection.

If I have to do a speech, if there's no way I can get out of it, or if it's something I really should do, I won't sleep the night before. I'll feel ill the entire day leading up to it. I won't be able to eat if it's after a dinner, which makes things even worse.

I was working in a day job in marketing but I had my sights on doing an open-mic night.

I can't drink anything after 9 P.M. otherwise I'm up all night.

Being an insomniac only slows me down. I try not to write at night, as I'm concerned that this will affect the quality. I might have a Scotch to keep me going, but I like to be as awake and as alert as possible.

Being an insomniac only slows me down. I try not to write at night, as I'm concerned that this will affect the quality.

With stage, it's very tough. You have to have a lot of stamina - you're doing eight shows a week for 19 weeks. The same thing, every night. Twice a day some days. The only full day I actually had off was Sunday. And every night is different.

Everybody has busy lives, but you can tell people, 'Go outside and look at the night sky. We've been able to demonstrate that every star you see probably has a planet around it.'

I write in a diary every night to collect my thoughts. It's very therapeutic to songwrite, because it's the same thing.

I'm not at yoga all the time, but equally, I'm not being sick after a night out.

The image is where you have dinner at night, who you're seeing. It's what car you drive and how you dress. People in the industry sell that, and it creates a dream. There's nothing else.

I love, love, love to rehearse, but when you're rehearsing and then you go do it at night, it's a very weird thing, because you're incorporating all these new things.

I was 16. In the middle of the night, I took a taxi to the Detroit train station - or maybe it was the Pontiac train station? - and got on a train to Chicago, then transferred to a train to San Diego where my boyfriend was living at the time.

I'm not trying to take anything away from film acting, because it's also really hard, and I worship the people who are great at it. But to actually have to go out on stage night after night and do it with your audience right there is so wild and scary and exciting and fun and all the things that I remember loving about it.

If art is any good, it has so much of a longer trajectory than one night. Contemporary art is separate from art openings. In the end, it depends on the strength of ideas in each piece.

I love that song 'I Could Have Danced All Night' from 'My Fair Lady' so much. I love that song because watching it as a kid, it was such an unbridled expression of joy.

Anyone can have a bad night and anyone can have a bad attempt at comedy.

The audience has its own gestalt, and it becomes another character - a character that changes each night.

I have to say that filming 'The Night Manager' was not just amazing but also very daunting at first. I used to describe myself as the token plebeian surrounded by all your national treasures. All that glittering talent in one place; I knew Hugh from Fry and Laurie videos that my grandpa used to watch, and Tom Hollander's 'Rev' is hilarious.

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