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I just accept that, if my party and my compatriots wish that I be removed from office, they must exercise that right and do so in the manner prescribed in the Constitution.
There is no office now closed to a Jew, including the presidency.
In 1923 I was the No. 1 box office star. A year later it was Rin Tin Tin.
The studio didn't ask them to learn their trade, they just worked them, and when that personality or that gimmick or whatever they had ran dry at the box office, they were dropped and out.
They thought in terms of: whatever you had that started you at the box office, this was it.
It seems to limit you; when you're working in an office, you're a creature in a small cell under somebody's supervision and surveillance.
I never worked in an office in my life.
The Guinness book is a very elitist organization. There's nothing scientific about what they do. They just have an office full of people who decide what is a record and what isn't.
Most of the women who have offered themselves for public office over the years have done so, I believe, more because of the 'dirt' than in spite of it.
I did a show called 'Profit' a while back, and I based some of the work on some people that were in office at the time.
We spend so many hours a day - even if we're not physically in the office - working, thinking about work, and planning and setting up and organizing with work, even with our families.
I care about the box office, so that's why I go from town to town: because I want people to see it. I would give it for free; I just want those houses full of people watching it.
I have held the following jobs: office temp, ticket seller in movie theatre, cook in restaurant, nanny, and phone installer at the Super Bowl in New Orleans.
If I want to be a leading man in a film, box office numbers count because producers have invested money. I see no wrong in that process.
Individuals move and shift from one party to another simply on their aspirations for office.
According to me, a film can talk for itself. Like, Aamir Khan does not promote his films on a large scale, but his films work on the box office.
Sometimes I think it would be nice to be in a warm office every day. Don't get me wrong, I'm not complaining because I know how lucky I am to be playing football for a living. The positives by far outweigh the negatives.
I'm a huge fan of the game. It's beyond a fringe benefit of obviously getting to work at the league office. I watch a ton of games in person, on television, on all forms of new media I follow the league. And so it's just beyond my wildest imaginations to me to now be the commissioner of the NBA.
The right people don't care about a corner office - they care about the culture, if you're mission-driven, what you're going to do to make the world a better place.
As far as WeWork is concerned, we're not competing with co-working spaces; we're not competing with office suites. We're competing with work. We think there's a new way of working in the world, and it's just better. For the millenials and everybody that understands collaboration and the sharing economy, that's just the right way for them.
I have an office full of product from brands trying to be in videos and an inbox full of songs from artists, but at the end of the day if the artist doesn't support the brand or it doesn't make sense for the song, then it will never work. What we do is try to pair them up so that both sides are happy.
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