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I could literally go on for pages upon pages about Mattis and how influential this man was to me and many others who fought alongside him.

Suspense is my thing. I think I am able to make people want to keep turning pages. They want to know what happens. So I can do that.

The best discussion of trouble in boardroom and business office is found in newspapers' own financial pages and speeches by journalists in management jobs.

I don't think that anyone in the pages of 'War on Peace' is arguing that diplomacy is the replacement for military power. But, correctly, the job of the military is to think tactically.

There's just no escaping it: The half-life of media on the Internet is super short. Tweets flow and fade; pages that look great today will be gone or, at best, riddled with broken links and outmoded code in five years, tops.

You may look at the people who sell the pages of the tabloids, and they're more famous for their personal exploits. I know all about these people, but when was the last time I saw something they've done or bought an album?

This Tourette's center sent me a package that was like 900 hundred pages.

I was studying American politicians who were searching - allegedly - for American communists because it would put them on the front pages of the papers in their home towns.

All alone in a committee room of the Senate Office Building in Washington, I was reading the dry typewritten pages in an unpublished report of an almost forgotten congressional committee hearing.

I love chapbooks. They're in some ways the ideal form in which to publish and read poems. You can read 19 poems in a way you can't sit down and read 60 to 70 pages of poems.

There is nothing harder than working 50 pages a day, working 16 hours a day, trying to be good with only shooting rehearsals.

Those damned Abstract Expressionists. They were a major problem. Because the critics adored them to such an extent, reams and reams, pages and pages of articles about Abstract Expressionists, when we came along, we were just not taken seriously at all.

My role as an artist helps me tremendously in breaking down each story. Pacing, layout, movement - having drawn a few thousand pages, I understand the language of comic books very well.

I'm capable of a ton of work. My Kirby gene has been fully activated. And by that, I mean the capability to draw many pages.

To find money to make a film, you have to write maybe 50 pages to explain what you'd like to do, what the film will be, but everybody lies. Because he doesn't know what the film will be. Everybody writes 50 pages and sends it to a TV channel, a producer, to get money, but everybody lies. Or else your film is not interesting.

For me, writing for kids is harder because they're a more discriminating audience. While adults might stay with you, if you lose your pacing or if you have pages of extraneous description, a kid's not going to do that. They will drop the book.

If I get stuck, I look at a book that tells me how someone else did it. I turn the pages, and then I say, 'Oh, I forgot that bit,' then close the book and carry on. Finally, after you've figured out how to do it, you read how they did it and find out how dumb your solution is and how much more clever and efficient theirs is!

I don't write a play from beginning to end. I don't write an outline. I write scenes and moments as they occur to me. And I still write on a typewriter. It's not all in ether. It's on pages. I sequence them in a way that tends to make sense. Then I write what's missing, and that's my first draft.

Be willing to use yourself to get out there and put the company on the market. If you have to make a fool of yourself, make a fool of yourself, but make sure that you end up on the front pages, not the back pages. In time, it's possible that your company will stand out from the crowd, and you'll be successful.

Once, I thought I had a novel, and it turned out it was only a short story. I wrote about 800 pages, but it ended up being a short story. And if it ever happens to me again, I Will Go Insane.

I usually give a book 40 pages. If it doesn't grab me by then, adios. With young adult books, you can usually tell by Page 4 if it's worth the time. The author establishes the conflict early, sometimes in the first sentence. The themes of hope, family, friendship and overcoming hardship appeal to most everyone.

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