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I remember at a very early age ringing up record labels I found in the Yellow Pages, and asking them for a record deal.

Anyone can sit down and write two pages of a novel, then forget about it, and a week later write five pages of a screenplay, then forget about it, and a week later start another novel... etc, etc.

I've always had a lot of story ideas rattling around in my head, but 'Nimona' felt very tangible very early. I knew the ending. So I just started making more and more pages, and then I made it a webcomic, like, 'OK, I'm really gonna do this.'

Not long after I started posting the first 'Nimona' pages online, a literary agent reached out to me, and I ended up signing with him before I returned to school for my senior year.

Sometimes I journal three pages, sometimes I journal thirty pages, but I'm writing all the time, and whatever's happening is happening in real time for me.

The newspapers of the twenty-first century will give a mere 'stick' in the back pages to accounts of crime or political controversies, but will headline on the front pages the proclamation of a new scientific hypothesis.

It takes me two to three years to write a novel. A screenplay is 100 pages and takes five years.

To my irritation, you still can't flick through an ebook properly; you can't riffle the pages, you can't look at more than one page at once.

I started my first novel when I was 10, and have produced thousands of pages of juvenilia since.

Mini-series are my favorite medium to act in because it's the right amount of pages you shoot a day, it's the right amount of time that you're with a character, and they really advertise it a lot so that people get excited for this epic event.

I thought 'UnSouled' would come in at around 400 pages, but it took 650 pages, and even then I felt like I was rushing the conclusion, so I asked my editor and publisher if I could divide it again. So a sequel became a trilogy, and the trilogy became a tetralogy - although we're not calling it that.

I think when I was 7, at school they got us all to write the story of Joseph and his brothers. I got a bit carried away and wrote 12 pages - everybody else wrote a page. The teacher was so impressed by it that she put it up on the wall for parents' evening. I thought, 'Oh, this is something that I really like that I also seem to be quite good at.'

The truth is, you have about three paragraphs in a short story, three pages in a novel, to capture that editor's attention enough for her to finish your story.

I started writing 'The Lord of Opium' in 2008 and produced about 80 pages before disaster struck. Three eye operations nearly put an end to my career.

I love being in the archives, traveling, sitting in dusty places and looking at books with brittle pages. I love reading biographies and researching, to make myself informed about whatever political or historical time I'm writing about. From there, a lot of the emotional truths about my characters emerge.

Whether I'm reading a national publication or one of my local Chicago newspapers, I don't need to turn too many pages before I stumble upon another scandal. Not only do ethics violations deteriorate the public trust, but they also disrupt and undermine legitimate debate and policy.

The Web as we've known it for a long time has been pages linking and pointing to other pages.

Articles themselves are condensed to narrow columns of text across 5, 6, 7 pages, and ads that are really distracting for the reader, so it's not a pleasant experience to 'curl up' with a good website.

I am up at 3:30, reading the op-ed pages and getting ready to be on the air by 6 A.M. on the set of 'Morning Joe,' and after three hours of TV and two hours on the radio, it is only 12 noon.

I felt like I could never write nonfiction, because I would have to spend so many pages explaining my ethnic background, and that wasn't really the story that I ever was interested in telling.

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