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My Open record is not particularly good if you look at it on paper. But at the same time I don't feel like it is as bad as the black and white suggests.
I tell people I would like to have been an architect. I like the creative aspect of that. I like the idea of something on a piece of paper coming to life.
The kind of true-life writing that is fun to read - that makes an ally of the reader - is the kind that you are so nervous about putting down on paper that you lock the Word file with a secret password and encrypt it - and all of it.
I am probably exaggerating a little, but I owe my equilibrium to ink and paper.
You don't need a high concept to make a great film, of course. 'Withnail & I' is not - it's probably not much on paper, but it's one of the funniest films ever made.
I put at the top of my paper every day, 'Never comfortable.' It's just how I feel always.
I kind of have a strange addiction to hair dryers. Like on the TV show, where they eat toilet paper or eat the wall or something - I'm addicted to hair dryers. Since I was 8 years old, I've used them to fall asleep. I love the white noise. I love the heat. It just puts me right to sleep.
When we put the pen to paper, we articulate things in our life that we may have felt vague about. Before you write about something, somebody says, 'How do you feel?' and you say, 'Oh, I feel okay.' Then you write about it, and you discover you don't feel okay.
We all make mistakes, and sometimes the difference that we forget is that the people we read about in the paper and on the Internet and see on TV, behind that is, at its core, a mistake.
I like to take all my feelings and thoughts and put them down in different ways on paper.
You have a negative, and you can have an influence whether you want to have it more contrasty or less contrasty; you can pre-flash the photo paper. You can make it warmer or colder, lighter, darker. This is all a way of manipulating the image in a normal way, not changing the pixels.
I write while I'm walking, on little scraps of paper. If I have a melody going, I can feel it for days.
We do not want to see a Hong Kong that enjoys freedoms on paper but whose autonomous status conceals the workings of a totalitarian state.
What I say is that there are not half a dozen papers in the United States which tamper with the news, which publish what they know to be false. But if I thought I had done no better than that, I would be ashamed to own a paper. You have to make everyone connected with the paper believe that accuracy is to a newspaper what virtue is to a woman.
If you publish a scientific paper it is very hard to start a nationwide debate about something. If you do this in a movie, you can start a debate. We like to create a bridge between those two worlds - film and science.
I remember the first article I ever wrote, and I saw my name in the paper, and I already knew I was undocumented, and I was thinking: 'How can they now say I don't exist?'
I try not to change my political point of view from paper to paper.
I am hopelessly devoted to paper. Nothing against e-readers of any sort - anything that keeps people reading is okay by me - but I am not, historically, an early adopter of such things.
I pulled cotton at 6 years old and worked on the peanut farm and paper route.
Don't set pen to paper until you know your main characters inside out. Create files detailing their appearances, likes, dislikes, and personal background. You may not use all the information, but it is a crucial step in planning your story.
I tend to scribble down notes, lyrics or just random thoughts on pieces of paper, backs of cigarette packs, sometimes on my shirt cuff.
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