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The problem with middle age, at least when it comes to modeling, is you seldom see a model who is past 27, 28. If they use anyone older, then it becomes automatically a 'personality' story.

I'd rather look to the future than to the past.

I've always said if a woman is looking for a good husband, she should go for a Jewish man past 60. Jewish men are essentially brought up to love women. Then you rebel against that and become a bit of a bastard. Then at 60, you revert.

There have been many gay knights in the past - like Sir Noel Coward or Sir John Gielgud.

In the past, kids didn't tell their parents they were gay, so there were never the bust-ups. Some parents react so strongly to the news that their children are gay that the reaction is, 'Get out of our house.' There's a residue of old prejudices that are going to die hard.

I grew as an actress, and I feel I gained a lot, whenever I have worked with any great director in the past.

I once gave a character in a novel my inability to get past the same point in any work of philosophy: that moment when seeing is suddenly occluded and you know you can go no further.

I like a singalong. And I'm a bit of a sentimentalist for the past myself.

Think about it: No matter who you are, the past plays a large part in your life. I am all about living in the present as best as I can. Try as I might, there is only so much I am able to achieve on this front.

What I do is creative. It doesn't seem like that when I'm playing a piece that was written in the past, but the score is just the outline and everything in it is relative. The key is to make this piece written by someone else belong to you and then connect to the audience.

I know that collector types can be a pain in the neck and seem perpetually frozen in time - or at least in their parents' basement - but someone has to look out for the past, lest it slip away forever.

The thing about wisdom is you store the past in your head.

After I'd been on Friends, people would whisper as I went past. I no longer had proper dialogues with people.

Everybody's past and history informs them.

In the past, the biggest mistake I've made has been trying to treat election night like the first and last time anyone will ever see me on TV. I've worn dresses that were more prom time than primetime.

I concentrate, more than I think virtually any comic book artist has in the past, on the so-called mundane details of every day life - quotidian life. What happens to a person during a working day, marital relations, and stuff like that.

Historians are prophets of the past, not of the future.

Blacks were more likely to be sentenced to prison following a conviction, but that result reflected their past crimes and the gravity of their current offense.

Every story about me is so heavy and dramatic. That's not how I do life. But that's the impression people have, and that's what keeps getting reiterated. As if I'm still stuck in all the muck of the past. And I am so not.

I was a bit of a workaholic in the past and now I realize the importance of making room for what matters in life.

In the academic world, biographies of these great figures of the past fell out of favor in the 1960s, when there was a turn toward social history, which meant the history of the voiceless and faceless. But the public at large never embraced the idea that these dead white guys should be abandoned.

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