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You can't satisfy everybody. I will continue to do my job until I get fired, and the only people who can fire me are my fans.

There was a time I desperately needed for the world to know that I was no category guy. My whole goal in life was to reach that certain success where people will say, 'Hey, that guy can do anything. He's the Evel Knievel of music. He's jumping over 15 buses!'

Music is very powerful and can make you feel whatever it is. If you listen to gospel, you're going to feel thankful, and you're going to want to call up people that you hate and tell them that you love them. When you listen to sexual music, it gets you in the mood.

When I was performing on streets, there was no pressure. People accepted me. They loved me without knowing me.

There's a bit of a Bertie Wooster about my father. He's very easy-going, he never judges people, and we get on brilliantly.

The most interesting people to me are entrepreneurs. As someone who's owned my own business for over a decade, I am always so inspired by people who are building things.

People always send me notes saying they'd love to be a speaker, but they could 'never speak as well as you do!' I'm like, 'Girl, of course you won't. You're just starting out... everyone stinks when they start!'

I like to tell people that I have some of the biggest mentors in the world... they just don't know I exist. Dave Ramsey, Sara Blakely, Oprah, Tony Robbins, Brendon Burchard - I've learned everything I know from their wisdom through books, podcasts and conferences.

When I got pregnant with my second son, I still hadn't lost weight from the first, and since I came from a long line of overweight people, I was terrified that I was quickly going to become one of them.

I wanted to perform and entertain people. Whether it was theatre in school and college, or just dancing on the table in front of my entire family as a kid, it was always about entertaining people.

I have been training under Melvin Louis and Dimple Kotecha. They're very different people and their styles and training procedures are also different. Melvin is more into the improvised version, he mixes hip-hop, street style, Bollywood etc. He is more into the madness and gives me the freedom to try my own thing.

When you do something for society, however big or small the gesture may be, you must tell people around you to follow it as an example.

I always thought that I would not wear shades when I become a star. I was like, 'Why do we have to wear glares? People should recognize you when you stop at the signal.' You want heads to turn towards you... and if it doesn't happen, it is a nightmare.

I have a handful of people who work for me - those who do our hair and make-up, ADs - they're like family, so taking care of them is necessary.

If you are in a bad state of mind then you would end up snapping at people, getting irritated. It's happening with many. The best way to avoid that is by doing things that take away the stress.

As an industry, we need to come together and weed out toxic people who cannot respect their co-workers. They are not irreplaceable. There is enough talent out there.

I am passionate about making people believe that there is a world of which you can become a part for two hours in the theatre over popcorn.

I want to continue to make personable music that people can relate to on all levels through the many styles I have.

My dad, before he passed away, never understood what I did. What I say is that I'm responsible for translating the director's vision, hopefully turning an idea into something people can connect to and relate to.

I like to have fewer players. That way, everyone is plugged into what you're doing. There is a risk attached to that sometimes but it's good to have a smaller squad. People have more chance of playing; they're ready and more motivated. Having 18 real players is better than having 25 or 26 not playing.

There are those people that eat to live and those that live to eat. I am of the latter, as many of you already know. To me, eating is an adventure.

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