I know in war good people can feel obliged for good reasons to do things they would normally object to and recoil from.
John MccainRead
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I know in war good people can feel obliged for good reasons to do things they would normally object to and recoil from.
I'm getting to a point where everything is becoming streamlined in my life. I'm learning how to stand onstage for two hours and play in front of thousands of people as if I am completely in the moment every moment.
I don't understand it, how President Johnson can send troops to Vietnam and cannot send troops to Selma, Alabama, to protect people whose only desire is to register to vote.
We're one people, and we all live in the same house. Not the American house, but the world house.
We need some creative tension; people crying out for the things they want.
We are one people with one family. We all live in the same house... and through books, through information, we must find a way to say to people that we must lay down the burden of hate. For hate is too heavy a burden to bear.
People want to be creatively satisfied, and having fun is such an important part of that.
The essence of comedy, drama, and horror is surprise. I have an uncanny ability to surprise people because they look at my face, and they don't know where I'm going.
I think the American people, with some justification, think that most politicians live in la-la land.
You know people talk about federal money as if it falls from heaven. You know we thank heaven for it, but it came out of people's pockets - and I've driven all over Washington, D.C., I cannot find the money tree.
Pretending to be other people is my game and that to me is the essence of the whole business of acting.
You must keep people happy backstage because that affects what's onstage. During a run, the playwright feels like the mayor of a small town filled with noble creatures who have to get out there and make it brand new every night. When a production works, it's unlike any other joy in the world.
'Faces' became more than a film. It became a way of life, a film against the authorities and the powers that prevent people from expressing themselves the way they want to, something that can't be done in America, that can't be done without money.
I won't call my work entertainment. It's exploring. It's asking questions of people, constantly. 'How much do you feel? How much do you know? Are you aware of this? Can you cope with this?' A good movie will ask you questions you don't already know the answers to. Why would I want to make a film about something I already understand?
Most people don't like change. They revolt against it unless they can clearly see the advantage it brings. For that reason, when good leaders prepare to take action or make changes, they take people through a process to get them ready for it.
The disabled people that do sport, they don't think about what they don't have but try to get better with what they do have. That is the same for me.
I don't want to look back. I want to keep going forward, I still have something to say to people.
Somehow we got used to death, and then we dehumanised it. We account for conflicts in figures. Ebola is 13,500 infected, 5,000 people have died... People are losing their sense of empathy, their sense of wanting to do something.
Not many people were speaking truth to power in the '80s. I had a really good time doing it - I found it gratifying. It was a joy to have an opportunity to say what you believed. It's challenging to do it in fiction, but I liked writing the novels. I liked writing 'Democracy' particularly.
When you single out any particular group of people for secondary citizenship status, that's a violation of basic human rights.
My whole life, people have doubted me. My mom did. People told me in high school I'm too short and not fast enough to play basketball. They didn't know my story. Because if they did, they'd know that anything is possible.
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