From a cognitive standpoint, I'm very aware that you have no room for error in a picture book. Every word counts.
Kate DicamilloRead
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From a cognitive standpoint, I'm very aware that you have no room for error in a picture book. Every word counts.
In the big picture, it doesn't really matter if we never made a record, or we never sang a song. That isn't important.
Without touching my subject I want to come to the moment when, through pure concentration of seeing, the composed picture becomes more made than taken. Without a descriptive caption to justify its existence, it will speak for itself - less descriptive, more creative; less informative, more suggestive - less prose, more poetry.
We know even from ordinary life that we have to achieve a sufficient degree of attentiveness if we want to concentrate on an inner picture or an object of some kind; we must also have it in our power, though, to turn our soul away from something we have been concentrating on.
I was really embarrassed. And I asked why they took my picture when I was in such agony, and I'm the girl, in the moment that I was naked, burning, hopeless, crying - so ugly. And I asked why they took my picture at that that moment? I didn't like it at all.
Everybody accuses me of moving fast when I direct a picture. I don't move fast, but I just keep moving.
Every relationship between persons causes a picture of each to take form in the mind of the other, and this picture evidently is in reciprocal relationship with that personal relationship.
Things danced on the screen do not look the way they do on the stage. On the stage, dancing is three-dimensional, but a motion picture is two-dimensional.
The Real is ever-present, like the screen on which the cinematographic pictures move. While the picture appears on it, the screen remains invisible. Stop the picture, and the screen will become clear. All thoughts and events are merely pictures moving on the screen of Pure Consciousness, which alone is real.
That little girl became me now. I have accepted it and I'm thankful that my picture worked for good.
The picture of the free market is necessarily one of harmony and mutual benefit; the picture of State intervention is one of caste conflict, coercion, and exploitation.
Most practising scientists focus on 'bite-sized' problems that are timely and tractable. The occupational risk is then to lose sight of the big picture.
I think when you work on fossils, and you realize that a species is there, and it's abundant for quite a long period of time, and then at some point it's no longer there - and so, when you look at that bigger picture, yes, you realize that either you change and adapt, or, as a species, you go extinct.
I looked long and carefully at the picture of a stag painted by Landseer - the style was good, and the brush was handled with fine effect; but he fails in copying Nature, without which the best work will be a failure.
Quite often I can be in a bookshop, standing beneath a great big picture of myself and paying for a book with a credit card clearly marked John Grisham, yet no one recognises me. I often say I'm a famous author in a country where no one reads.
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