Explore Quotes on Pieces

What is truth in photography? It can be told in a hundred different ways. Every thirtieth of a second when the shutter snaps, its capturing a different piece of information.

To me, that's one of the things that I love about doing this stuff. One day I can work on this piece in watercolor, and then work on something else on the computer, or work on something else that's a completely different approach

The kaleidoscope has been shaken. The pieces are in flux. Soon they will settle again. Before they do, let us re-order this world around us.

I must fling myself down and writhe; I must strive with every piece of force I possess; I bruise and batter myself against the floor, the walls; I strain and sob and exhaust myself, and begin again, and exhaust myself again; but do I feel pain? Never. How can I feel pain? There is no place for it.

Here is the piece. If you can't say fornicate can you say copulate or if not that can you say co-habit? If not that would have to say consummate I suppose. Use your own good taste and judgment.

The white paintings came first; my silent piece came later.

The very best [infographics] engender and facilitate an insight by visual means - allow us to grasp some relationship quickly and easily that otherwise would take many pages and illustrations and tables to convey. Insight seems to happen most often when data sets are crossed in the design of the piece - when we can quickly see the effects on something over time, for example, or view how factors like income, race, geography, or diet might affect other data. When that happens, there's an instant "Aha!".

When I'm writing, sometimes it gets to that place where I feel like the piece is writing itself and I'm trying not to get in the way

One thing that really appeals to me is this idea of music being a living thing that has an evolution that, in a way, enables the artist to sell a process rather than a piece of product.

I'm glad I made a piece of art that can be interpreted so widely. Art is always interpreted subjectively

The poetic impulse is distinct from ideas about things or feelings about things, though it may use these. It's more like a desire to separate a piece of one's experience & set it up on its own, an isolated object never to trouble you again, at least not for a bit. In the absence of this impulse nothing stirs.

I wrote The Same Sea not as a political allegory about Israelis and Palestinians. I wrote it about something much more gutsy and immediate. I wrote it as a piece of chamber music.

If you are left with only one piece of homespun,wear it with dignity

We like to put sacred texts in flowing waters, so I rolled it up, tied it to a piece of wood, placed a dandelion on top, and floated it in the stream which flows into the Swat River. Surely God would find it there.

Can you imagine what Bush would say if someone like Hugo Chavez asked him for a little piece of land to install a military base, and he only wanted to plant a Venezuelan flag there?

I got a book token for Christmas and exchanged it for a book called A History of Art, and that book (which I still have-battered and falling to pieces) became more precious to me than any Bible.

I'm often wary of using the word 'inspiration' to introduce my work -- it sounds too much like a sun shower from the heavens, absorbed by a passive individual enjoying an especially receptive moment. While that may be the case on rare occasions, the reality is usually far more prosaic. Staring at a blank piece of paper, I can't think of anything original. I feel utterly uninspired and unreceptive. It's the familiar malaise of 'artist's block' and in such circumstances there is only one thing to do: just start drawing.

I don't consider myself a musician who has achieved perfection and can't develop any further. But I compose my pieces with a formula that I created myself. Take a musician like John Coltrane. He is a perfect musician, who can give expression to all the possibilities of his instrument. But he seems to have difficulty expressing original ideas on it. That is why he keeps looking for ideas in exotic places. At least I don't have that problem, because, like I say, I find my inspiration in myself.

James Cain - faugh! Everything he touches smells like a billygoat. He is every kind of writer I detest, a faux naix, a Proust in greasy overalls, a dirty little boy with a piece of chalk and a board fence and nobody looking. Such people are the offal of literature, not because they write about dirty things, but because they do it in a dirty way.

Perhaps it is this specter that most haunts working men and women: the planned obsolescence of people that is of a piece with the planned obsolescence of the things they make. Or sell.

In [my] life ... I did not understand steam machinery, but I tried to understand that much more complicated piece of mechanism - man.