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It's a long way from not having enough serotonin to thinking the world is "stale, flat and unprofitable"; even further to writing a play about a man driven by that thought.
Hobbes: Jump! Jump! Jump! I win! Calvin: You win? Aaugghh! You won last time! I hate it when you win! Aarrggh! Mff! Gnnk! I hate this game! I hate the whole world! Aghhh! What a stupid game! You must have cheated! You must have used some sneaky, underhanded mindmeld to make me lose! I hate you! I didn't want to play this idiotic game in the first place! I knew you'd cheat! I knew you'd win! Oh! Oh! Aarg! [Calvin runs in circles around Hobbes screaming "Aaaaaaaaaaaa", then falls over.] Hobbes: Look, it's just a game. Calvin: I know! You should see me when I lose in real life!
[Calvin, who has the chicken pox, calls Susie on the telephone.] Susie: Hello? Calvin: Hi, Susie! It's me, Calvin! I was wondering if you'd like to come over and play. Susie: Why, sure! Boy, I don't think you've ever invited me to... Calvin's Mom: Calvin, what are you doing? Calvin: Nothing, Mom. Go away. Calvin's Mom: You're contagious! You can't have anyone over to play! Calvin: Shhhh! Shhhh! You'll spoil the whole thing! I was going to trick Susie into catching... HEY! OW! LET GO! Susie: [Hanging up the phone] Any chance of getting transferred, Dad?
Listen, here's what I'd like to do: I'd like to live in a trailer and play records all night.
Nobody's ever called me Sir Richard. Occasionally in America, I hear people saying Sir Richard and think there's some Shakespearean play taking place. But nowhere else anyway.
When I was 13 or 14, I took seven months off from touring. I did a lot of weekend gigs in Louisiana. We have fairs and festivals every weekend. But I took seven months off. That's when I really started digging deep. I wrote a couple songs that year that I still play every now and then for people.
A bass player has to think and play like a bass player. A drummer has to play and think like a drummer, and stay out of the way of the vocalist. The guitar player has to respect everybody else.
I grew up in a fun-loving environment - you work hard and play hard.
Mere longevity is a good thing for those who watch Life from the side lines. For those who play the game, an hour may be a year, a single day's work an achievement for eternity.
The worst constructed play is a Bach fugue when compared to life.
I was privileged to grow up in Mexico at a time when you could play in the streets. We lived not too far from the ocean, and we would be outside all the time with the neighbours' kids, running free. What better place could there be for a child?
'Frida' was a joy; this was delicious, I couldn't wait every day to get to the set, although I was exhausted, and have my leg get cut off or lose the baby or be in her shoes and get to play my hero and be able to go places emotionally. You know, we live for parts like this. This is a dream for an actor.
My new movie, Fools Rush In, is a romantic comedy and the girl I play in that is very warm, very sweet.
Drums, bass, guitar, keys, I play a little of each of those.
Not only that God does play dice, but that He sometimes confuses us by throwing them where they can't be seen.
If you're telling a story it's always best not to play the ending.
I want people to believe me when I play a part and they are less apt to if they know a lot about me and have associations about me.
I generally play strong people and scary people.
As an actor, I think a mistake that any storyteller can make is to play the ending.
"Good guy" or "bad guy", hero or anti hero; doesn't matter to me, what role I play, only the character have something magical.
I wanted to play around with the format, really tear it to pieces and shake it up. For example, if Mitch saves someone from drowning, and that person then goes out and releases a virus that kills a million people. Imagine the moral implications of that.
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