I never get the girl - I always die. That is the catch with playing bad. I'm actually a very romantic person, and I would like to play in a love stor….
I do a lot of American plays. I've done a lot of Arthur Miller, Tennessee Williams and Neil Simon. I was in 'Sisters Rosensweig,' 'Six Degrees of Sep….
I sing and play the guitar, and I'm a walking, talking bacterial infection..
A master in the art of living draws no sharp distinction between his work and his play; his labor and his leisure; his mind and his body; his educati….
Im still getting more familiar with the plays and different things, but I think that will come along with getting more experience and getting to know….
Is it not the play of the mind we are after? Is it not that that shows a mind is there at all?.
When I look at my body of work, I've played a lot of characters who are morally conflicted - 'I'm right, no I'm wrong, I don't know what to do!' I wa….
I had a sort of bad experiences as a playwright early on, when directors were putting in huge concepts that I didn't intend, or they were stylizing s….
In the end, we are not the roles we play. We are the light that animates every soul in the dance we call life..
I always wanted to play Joan of Arc. I've always wanted to do that. Now I'm thinking, 'Maybe there's a story in Joan of Arc's mother!' If I don't hur….
I do tend to play characters that have a lot of costume and hair change. I sort of like the change of physicality thing..
I am determined that only the deepest love will induce me into matrimony. So... I shall end an old maid, and teach your ten children to embroider cus….
Before I do a play I say that I hope it's going to be for as short a time as possible but, once you do it, it is a paradoxical pleasure. One evening ….
I wouldn't want to play Miss Hannigan. I'm not a villain. She's mean to little children! I can't do that. That would disrupt my brand..
Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play..
I think of Mercy Watson like a superball; there's a bouncy kind of optimism to her stories. She allows me to play, and she makes me laugh. Hopefully ….
My second play, The Birthday Party, I wrote in 1958 - or 1957. It was totally destroyed by the critics of the day, who called it an absolute load of ….
I learned how to play against players better than me..
The more you play it the less you know about it..
For this too I learned, that a storyteller's tale may end, but history goes on always. These events, so distant in legend, play a part in shaping the….
One of the great things about this genie [from Aladdin] is that when Robin Williams created him, and they created this after him, they were allowed t….