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I feel that a film or a play presenting homosexuality does not necessarily have to come with a message for the audience. It is a way of life, everyone should be treated equally.

As a parent, I tell my boys to keep away their smartphones and go outdoors and play. I take them to our farm where my father does a bit of farming, where they get their hands dirty. It is their digital detox.

I am the son of a nurse from Bangalore. I went to St Joseph's but was not made for studies. I did my first play in Class VII and realised that I got a high from the claps of the audience.

If I could play football, I'd play football. But not women's football - real football. Or I'd just date a quarterback.

When I was at school, I auditioned for the school play as Queen Gertrude, and I fell in love with it there and then.

The first time my parents found out I was acting was when a friend told them they had just come back from a play I was in.

After my first play, I realised that comedy was my forte - rather than being a dukhi heroine, I would rather do comedy.

In our view the Olympic idea involves a strong physical culture supplemented on the one hand by mobility, what is so aptly called 'fair play', and on the other hand by aesthetics, that is the cultivation of what is beautiful and graceful.

Lewandowski is very complete. He can hold on to the ball and build play; he can dribble. He can score goals from anywhere. He is fast, strong in the air.

Our style of play is increasingly based on possession of the ball. It suits me as a forward. We've got an attacking approach, and that means that I get a lot of chances; otherwise, I would have not been able to score so many goals.

After the play of 'Fleabag,' we had conversations with different channels and with film companies about whether 'Fleabag' should be a half-hour sitcom, an hourlong, serialized drama, or a film. And I knew that it couldn't be a drama because I wanted to hide the drama - that had to be the surprise. I knew it had to be comedy.

At 17, I was finally in a school play.

I'd love to do a play eventually, if theaters ever open again.

You get to crack the code of the play. You get to really pick at it and see, 'What is the story that we're telling?' 'What are the clues in the text that I can find that will help inform what story we're telling?' It's almost like a detective mystery.

We try to find the information, the clues, to unlock the play or the story or our characters, especially when they're based on real people that live and breathe.

When I first picked up an instrument, nothing really happened. I played piano when I was a little kid. I hated it so much, I actually don't play piano now.

My first play was 'A Month in the Country' at the Chichester Festival Theatre.

At Hofstra, I got a very well rounded education. I studied acting, but they wouldn't let me just study acting. I had to take classes in play analysis, directing, producing. I had no idea this would ever be relevant. And, of course, it's what I used the rest of my life.

In certain systems, receivers are just an X receiver or a Z receiver, and they just have to learn this route on this play.

Cool under pressure can be misinterpreted. I'm fired up, but in my mind, I'm calm. Here comes the next play, hurry up, let's go.

There's obviously games and a history you have with guys that maybe you're a little more fired up to let them know if maybe you beat them on a play.

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