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How much can we ever know about the love and pain in another's heart? How much can we hope to understand those who have suffered deeper anguish, greater deprivation, and more crushing disappointments than we ourselves have known? Even if the world's rich and powerful were to put themselves in the shoes of the rest, how much would they really understand the wretched millions suffering around them? So it is when Orhan the novelist peers into the dark corners of his poet friend's difficult and painful life: How much can he really see?
Life is empty. Life is meaningless. When we take a life, we arn't taking anything of value. Wetboys are killers. Thats all we do. Thats all we are. There are no poets in the bitter business.
We must always remember, however,' said Psmith gravely, 'that poets are also God's creatures.
Who can ever say the perfect thing to the poet about his poetry?
While pensive poets painful vigils keep, Sleepless themselves, to give their readers sleep.
We all fear loneliness, madness, dying. Shakespeare and Walt Whitman, Leopardi and Hart Crane will not cure those fears. And yet these poets bring us fire and light.
We must take our sentences seriously, which means we must understand them philosophically, and the odd thing is that the few who do, who take them with utter sober seriousness, the utter sober seriousness of right-wing parsons and political saviors, the owners of Pomeranians, are the liars who want to be believed, the novelists and poets, who know that the creatures they imagine have no other being than the sounding syllables which the reader will speak into his own weary and distracted head. There are no magic words. To say the words is magical enough.
Careful there, Poet. I might start to believe you.
If I correctly understand the sense of this succinct observation, our poet suggests here that human life is but a series of footnotes to a vast obscure unfinished masterpiece.
Instead of answering your question directly I shall quote from the Indian poet Tagore: “I slept and dreamt that life was joy/ I awoke and saw that life was service/I acted and behold, service was joy.” In fact, through my work I discover life, people, and everything which happens around us.
That's what I love about poetry. The more abstract, the better. The stuff where you're not sure what the poet's talking about. You may have an idea, but you can't be sure. Not a hundred percent. Each word, specifically chosen, could have a million different meanings.
A poet needs to keep his wilderness alive inside him. To remain a poet after forty requires an awareness of your darkest Africa, that part of yourself that will never be tamed.
She does not love you. Your metaphors thrill her you are her poet. But that's all there's to it.
But remember, boy, that a kind act can sometimes be as powerful as a sword. As a mortal, I was never a great fighter or athlete or poet. I only made wine. The people in my village laughed at me. They said I would never amount to anything. Look at me now. Sometimes small things can become very large indeed.
May you be ordinary, as the poet once wished the new-born baby.
Being a poet is one of the unhealthier jobs--no regular hours, so many temptations!
Do you know what constitutes a great poet? He is a person without shame, incapable of blushing. Ordinary fools have moments when they go off by themselves and blush with shame; not so the great poet.... If you really have to quote someone, quote a geographer; that way you won't give yourself away. (p 44)
People wish to be poets more than they wish to write poetry, and that's a mistake. One should wish to celebrate more than one wishes to be celebrated.
Humans have a saying that "Beauty is in the eye of the beholder", which basically means that if you think it's beautiful, then it is beautiful. The elfin version of this saying was composed by the great poet B.O Selecta, who said "Even the plainest of the plain shall deign to reign", which critics have always thought was a bit rhymey. The dwarf version of this maxim is "If it don't stink, marry it", which is slightly less romantic, but the general gist is the same.
If you cannot be a poet, be the poem.
In Irena’s head the alcohol plays a double role: it frees her fantasy, encourages her boldness, makes her sensual, and at the same time it dims her memory. She makes love wildly, lasciviously, and at the same time the curtain of oblivion wraps her lewdness in an all-concealing darkness. As if a poet were writing his greatest poem with ink that instantly disappears.
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