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That's the problem. We've had too many easy wars. We need a good one. We need like a Vietnam to harden everybody back up.
I've found contemporary Britain difficult to write about because it seems to me to have lacked gravity or grandeur. This is some cultural problem which I don't really understand. It simply isn't the same in the United States.
The problem as you get older... is that you become more self-aware. At the same time, you have to surprise yourself. There's no way of arranging the surprise, so it is tricky.
I have no problem with people coming up to me and telling me they enjoy my work, what's weird is when you sense people noticing you, nudging each other, and you're not anonymous any more. You just feel exposed.
I think Facebook's biggest problem is the glut of information that Facebook's power users are overwhelmed with.
The problem with college kids is that they're ignorant to the browbeaten realities of living life in a cubicle and they have nothing but free time to get jacked up on MotherJones.com articles about oil companies.
I have no problem with anyone's view about what we do, I really don't. Very rarely does it stick in my craw what managers or media outlets say about us.
As I look back, I have to say growing up was fun, not a problem at all.
I have no problem putting my feet up and watching football but my mother-in-law is always doing stuff.
I have no problem with commenters stating strong opinions, except for my usual annoyance with people who don't agree with me.
And, for me, there is a passion in managing or coaching, whether it is working on a training ground or dealing with a 16-year-old who has a problem I can help him out with. I get quite a buzz from that.
You can point fingers on both sides. But only one side ever tried to fix the problem, and that is the Republican side.
I don't really like sweets, so that's never been a problem. Instead I'll have Kettle potato chips, which are gluten-free.
I think it's important for anyone who takes cinema seriously not to limit yourself to just optimistic or happy movies. I think that's a problem. You've got to be willing to let the art of cinema take you into some darker places if you're going to make full use of it.
The big problem in translating is that we had to translate the language. People may not know that we record the podcast in Japanese, translate it to English and then actors play us on the podcast. I'm not actually Scott Aukerman, I'm the actor who plays his voice on the podcast. Unfortunately, it's cost prohibitive on a television show.
In articulating all my feelings about marriage equality, I almost don't know where to begin. And perhaps that's part of the problem. Why do we have to explain ourselves when it comes to issues of fairness and equality? Why is common sense not enough?
Look, when we go as favourites, then it's a problem, but if we go as underdogs then other teams feel the danger, so I think being underdogs is good for us and eases the pressure.
When you have an intense game, you're going to have arguments. I have no problem with it. I think it's healthy.
Writers of historical fiction are often faced with a problem: if they include real-life people, how do they ensure that their make-believe world isn't dwarfed by truth? The question loomed large as I began reading 'The Black Tower', Louis Bayard's third foray into historical fiction and fifth novel overall.
Racism is a problem everywhere, especially in this country, but all over the world, and especially within queer space.
The fact that drilling won't solve every problem is no excuse to do nothing at all.
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