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I started rapping because I wanted people to hear what I have to say, I want as many people to hear me as possible, and I do everything in my power to make that pop.
Good and bad is tricky," she said. "I ain't too certain about where people stand. P'raps what matters is which way you face." (pp. 348-349)
I was rapping at eight.
Anything that's of any use, famous people get hold of it and take it for themselves and it gets a bad rap.
I don't dislike rappers or hip-hop or people who like it. I went to the Def Jam tour in Manchester in the '80s when rap was inspirational. Public Enemy were awesome. But it's all about status and bling now, and it doesn't say anything to me.
Rap in general has never been my steez, but I like it.
I'm a singer and a writer first. I started to rap by accident, being playful.
Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore--While I nodded, nearly napping, suddenly there came a tapping, As if some one gently rapping, rapping at my chamber door. "'Tis some visitor," I muttered, "tapping at my chamber door--Only this and nothing more.
Racism is taught in the home. We agree on that? Well, it's very hard to teach racism to a teenager who's listening to rap music and who idolizes, say, Snoop Dogg. It's hard to say, 'That guy is less than you.' The kid is like, 'I like that guy, he's cool. How is he less than me?
The average rap life is two or three albums. You're lucky to get to your second album in rap!
They say a midget standing on a giant's shoulders can see much further than the giant. So I got the whole rap world on my shoulders, they trying to see further than I am.
The mercy of the world is you don't know what's going to happen.
Which is the other reason hip-hop is controversial: People don't bother trying to get it. The problem isn't in the rap or the rapper or the culture. The problem is that so many people don't even know how to listen to the music.
Now when I have to remember a date, all I have to do is consult my rap sheet.
But this is one of the things that makes rap at its best so human. It doesn't force you to pretend to be only one thing or another, to be a saint or a sinner. It recognizes that you can be true to yourself and still have unexpected dimensions and opposing ideas. Having a devil on one shoulder and an angel on the other is the most common thing in the world. The real bullshit is when you act like you don't have contradictions inside you, that you're so dull and unimaginative that your mind never changes or wanders into strange, unexpected places.
I'm a tremendous believer and supporter in hip-hop and rap.
... her taste in music haunted my memory and I had to stop at Tower Records on the Upper West Side to buy ninety dollars' worth of rap CDs but, as expected, I'm at a loss: [...] voices uttering ugly words like digit, pudding, chunk.
My life after childhood has two main stories: the story of the hustler and the story of the rapper, and the two overlap as much as they diverge. I was on the streets for more than half of my life from the time I was thirteen years old. People sometimes say that now I'm so far away from that life - now that I've got businesses and Grammys and magazine covers - that I have no right to rap about it. But how distant is the story of your own life ever going to be? The feelings I had during that part of my life were burned into me like a brand. It was life during wartime.
Rap has been a path between cultures in the best tradition of popular music.
You could name practically any problem in the hood and there'd be a rap song for you.
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