I knelt at the altar of Ray Charles for years. I worked at a restaurant, and that's all there was on the jukebox.
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I knelt at the altar of Ray Charles for years. I worked at a restaurant, and that's all there was on the jukebox.
When I was 13, I started working in a nightclub with Ray Charles. That's the greatest school in the world, the school of the streets. Ray taught me how to read in Braille. He was only two years older than me, but it was like he was 100 years older.
I'm just delighted to be living, to be able to have a simple conversation, to feel a ray of sunlight on my skin and listen to the breeze move through the leaves of a tree.
The three toughest fighters I fought were Sugar Ray Robinson, Sugar Ray Robinson, and Sugar Ray Robinson.
I watched Ali, studied Ali, and I studied Sugar Ray Robinson. I watched them display showmanship. I watched them use pizzazz, personality, and charisma. I took things from them and borrowed things from them because boxing is entertainment.
When you work with Ray Charles, Billy Eckstine and Frank Sinatra, and you tell them to jump without a net, you better know what you're talking about. Thank God I was ready for it.
I had imagined doing nuclear physics and cosmic ray work in greater style in peace time. To do modern physics in a small way is of no use of all.
More than fantasy or even science fiction, Ray Bradbury wrote horror, and like so many great horror writers he was himself utterly without fear, of anything. He wasn't afraid of looking uncool - he wasn't scared to openly love innocence, or to be optimistic, or to write sentimentally when he felt that way.
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