It all sounds rather naive and sentimental to be talking about children laughing and dancing and singing together when we all know perfectly well that what children do in real life is snarl and take drugs.
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It all sounds rather naive and sentimental to be talking about children laughing and dancing and singing together when we all know perfectly well that what children do in real life is snarl and take drugs.
Real life is messy, inconsistent, and it's seldom when anything ever really gets resolved. It's taken me a long time to realize that.
Now I began to understand art as a kind of black box the reader enters. He enters in one state of mind and exits in another. The writer gets no points just because what's inside the box bears some linear resemblance to "real life" -- he can put whatever he wants in there. What's important is that something undeniable and nontrivial happens to the reader between entry and exit.
Men can absent themselves from real life for their art more easily. Women are anchored into the quotidian business of getting food on the table, making sure everybody's socks match, the soccer gear is ready. I admire idealists, but they're usually enabled by someone who holds the tether on their balloon, who pays the bills and sweeps up after them.
Her life her life had taken on the shape of a terrible mistake. She hadn't been given the proper tools to make a real life with, she decided, that was it. She'd been given a can of gravy and a hair-brush and told, "There you go." She'd stood there for years, blinking and befuddled, brushing the can with the brush.
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