Explore Quotes on Real

I'm not ashamed to speak about anything. And what I'm telling you is real; it's from the heart.

The thing that really makes me happy is the real work and rehearsing and creating the character and the process of making the movie. Hollywood's not real.

I try to do as much as possible for every character. Some of them, it is easier to do the research because you have either real examples that you work with, maybe some specific person that inspires you in that case, or the performances from other people, or the characters, or a character from a book.

Having made a real 3D movie, you realize that, right from the production design, you're designing sets that complement the 3D. You're designing interactive elements, like rain or smoke - all this particulate matter in the air enhances the 3D. But if you're shooting in 2D, you don't know about that.

I was an extra in a movie called 'Demoted' starring Sean Astin and Michael Vartan. The movie was a real atrocity, but it was fun to be paid to be on a film set, and I remember Michael Vartan bought everybody ice cream.

People say writing is really hard. That's very unfair to those who are doing real jobs. People who work in the fields or fix roofs, engineers, or car mechanics. I think lying on your back working under an oily car, that's a job.

I was kind of raised with the suggestion that I had a duty to do; that life was real, life was earnest. And I hated that, actually. I needed to be liberated, to be told that I could live the life that I wanted to live; that I didn't need a job, or to be shouted at; that I could be myself; that I could be happy.

Hatton don't look much like a guy who thinks about commas. But he is a gentleman. His family are gentlemanly. Real classy people.

My wife's a real big country fan. One time, we were driving back and forth from L.A. to Houston, and we wrote a country song together.

As human beings we're visual creatures, and it's so easy to play the guitar by looking at it. It's a real challenge to go from that visual way of perceiving the guitar to getting back to that pure sound connecting to the instrument.

To try and sustain a performance is always a challenge. Anything you work on, to try and be real and show up and not look as if I'm playing pat to anything is always work.

I love attempting to play real people. I like to try and have dramatic moments as well as comedic moments, and my favorite thing is when those two lines are blurred.

Ornette Coleman is a real musician. He takes all of the things he's thinking about in the world - which is a whole universe upon universe - and translates this into music.

I come from a real working class background, and I didn't know anyone sophisticated - except I saw Edie Sedgewick once at the Art Museum in Philly. She had these black leotards and little black pumps and this big ermine cape and all these white dogs and black sunglasses and black eyes. She was classy!

Let's say honorary favorite New Yorker is John Lennon, and favorite real New Yorker is Biggie, because he's the best.

'Looper' was a wonderful script. Rian Johnson is the real deal and a really talented filmmaker.

On the Housewives I was real chunky. In person I don't look that fat.

If you want to learn real economics instead of neoliberal junk economics, read Michael Hudson's books.

I may demonstrate the various stages of making a loaf on stage, but they don't end up in the final product I lift out of the oven at the end. If it were real food preparation, I'd wear a hair net, a hat, and rubber gloves - not a pretty sight.

A lot of what I say isn't my real thoughts, it's this character, and maybe that's true for a lot of comedians. It's really the inversion of my thoughts.

I feel like some of the delivery that people find funny is literally me trying to remember the exact line in real time.