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I don't know any writer of fiction who enjoys trying to point out or dissect whatever they produced with strangers and let them go through it and pick apart what's real and what isn't.

It's funny, I'm very analytical in my real life, but in terms of my films, I try to not analyze them at all and let things just go into them and let them be what they are. I mean, people ask me to this day what 'The Squid and the Whale' stood for, and I have no idea except that it's an exhibit in the Natural History Museum.

The real achievement of Woody Allen was that he was making movies that felt very personal, and for a whole group of people, it spoke to them. Then he became an archetype, like Groucho Marx or Chaplin.

I would love to make a real jazz album someday because I never have. But that's something I'm not in a rush to do.

We was able to become real successful in the mixtape space.

American decline is real, though the apocalyptic vision reflects the familiar ruling class perception that anything short of total control amounts to total disaster.

Writing is this odd act, right? To sit and type, or write by hand, or whatever people do. And it requires a real discipline because it is really a sheer act of will that you're creating something, and you're doing it by yourself.

The first conversations I had for 'Legion' were right as the first year of 'Fargo' was ending. 'Daredevil' hadn't even begun then, so when signing on, I had no real sense of the onslaught that was coming.

I'm not really on dating apps. I used to be when I was younger. I'd rather meet people in real life.

I'm a real believer in dressing tone-on-tone. I'm not saying you need to dress black. Dress just one color so the colors are not breaking your silhouette.

What I loved about my partnership with 'Quarterly' was the fact that it bridges the online world with the real world. Sometimes we see these two worlds as separate entities, and to be able to establish a bridge is very exciting.

If this film has come out so well, the credit goes to Trivikram garu. This one is a 100 percent director's film. He is the real hero of 'A Aa.'

Radicalisation or the risk of children being drawn into non violent extremism is a very real threat in this country.

I don't know why people can't believe that I can be mellow. In real life, I'm goofy around people I know but my music portrays me to be hype when most of the time, I'm actually mellow.

I had people telling me I was great and women throwing themselves at me and I got caught up in that life. At school all I'd hear was - 'you're not going to make anything of yourself' - and suddenly I was up there thinking: 'look where I am. Look where I am!' You're not in the real world.

I love to be on location. I love to be in other parts of the world. I love to be where I'm reminded about real, you know, emotions. I love to touch things and design things, and I think that, for the actor, it certainly - it certainly helps their performance.

I do think that climate change is real. And I think that it's something that we have to deal with. But I also think it has to be a balance. And, you know, as governor of South Carolina, that was what I did.

Real change begins with citizens registering to vote, becoming active and engaged in their communities, and casting their ballot at every election for those who will fairly and accurately represent them.

Rob Doherty has been a real superstar for us on 'The Mentalist' for years.

If you play in the Championship you want to play in the Premier League. If you play for a top team you want to maybe go to Spain and play for Barcelona and Real Madrid.

When I perform onstage, I'm actually kind of nearsighted, so I don't have any real, true understanding of what the audience is like.

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