Explore Quotes on Real

Our contemporary analogues to the personal notebook now live on the web - communal, crowdsourced, and shared online in real time. Some of the most interesting and vital work I come across exists only in pixels.

Growing up where I grew up, we looked to athletes. They were our first heroes. They came from the same places we came from. I mean, you can't watch TV and see someone who is successful that you can really relate to. That person isn't real; he doesn't exist. But athletes traveled the world, had these big houses and gave their families a better life.

I think in London - and I don't wanna offend anybody in America, but this is a real statement - they still have the right approach to making music. In the U.S., people see it as a way to make money; they see it as a means to get out. It's a hustle, which is great - any way you can provide for your family that's legal is fantastic.

I once tried to sing jazz for real. But jazz didn't do it for me. You can't have jazz without a jazz world, which doesn't exist anymore.

In my early shows, I wanted to put myself through a new childhood, disintegrating my whole identity to let the real one emerge. I became a human jukebox, learning all these songs I'd always known, discovering the basics of what I do. The cathartic part was in the essential act of singing.

You can't be, like, smashing guitars against Marshall stacks all the time. As a matter of fact, after a while, it just looks like posing - it never really gets down to any message or any real expression.

We are part of the zeitgeist, and we are communicating in a human, real way.

I've always found that there are loads of people out there with real talent will never get discovered. Shows like 'The X Factor' can help that and give people the confidence to do what they want.

Hugh Grant has that magic in real life, so when he's saying these lines, 'It's always been you,' it's just devastating.

It's the same assignment on every part: you want to create a real world, and the tone of it is a little different on each movie. You have to find your tone and work within that to make it as real so the audience can really engage in the story you're telling.

When a story is told really well and is real, even if it's not about their own lives, people can apply it to themselves.

I was at a Dolly Parton concert when I was about 9 years old. I saw her at the Ohio State Fair, and it was my first real concert that I'd been to. I saw that crowd and how they reacted and how great of a performer she was and the band. Just the energy of the whole thing collectively really captured me.

The people of South Jersey know that climate change is real and that it impacts their quality of life. They see that our streets flood almost every time it rains and they have seen that extreme weather events have become more frequent and more violent.

I believe that climate change is real, is driven mainly by human activity and that it is driving real-world changes such as extreme weather events, hotter temperatures, rising sea levels and ocean acidification.

I think there's a real joy in going to see movies when you discover them yourself.

I genuinely treasure my friends, they are my real support... What I get from them is big support, relief and relaxation as we meet every day to play cards.

I was low-key abusing myself. The idea of being skinny became something that was most appealing to me. Even if you watch 'The Real,' from season 1 to season 4, I was always 100 lbs. I started to really work hard to stay petite and to not gain weight and to stay sample size.

I was close to joining Barcelona and Real Madrid, but I am happy to have remained at Inter because I knew that sooner or later our moment to shine would arrive, and it did.

You've got to think of fun stories, and if the fun story happened to have a lesson, that's a great thing. If you build a movie around a lesson, you're in real trouble.

I have a real kind of fundamental philosophical belief that movies are better if everyone gets paid when they work, and if they don't work, the people who worked on them make a little bit of money, and the people who finance them, they lose, but they don't lose too much. I believe that that creates better work.

I think when people are scared, they like to see movies where the scares are not real.