Quotes on Really

I really learned to sing in church, I think, really with emotion.

I don't think you ever really know what all you're doing, so you have to act on faith.

I never modeled myself after anyone. The person who had most influence on me was my mother, but it was really for her strength and courage more than her style, even though she had a lot of style. In a weird way, looking at pictures of me when I was 17 or 18, I was dressing the same way. I haven't changed very much.

Mr. Olsen in the fifth grade made me want to be a writer. He said, 'Chuck, you do this really well. And this is much better than setting fires, so keep it up.' That made me a writer.

The pretentiousness of literature really annoys me; the way a writer is held as this sort of magical person to be revered on the stage. Everything I do on tour is to try and destroy that pretense.

Men are boys for such a long time and really don't start getting the great roles until they're in their mid-thirties. But then they've got a long time to do them, whereas for women, it's all about playing younger and younger and younger.

To be recognized for making the contributions I did, along with the others who are part of the Hall of Honor, it really is humbling. Particularly when you grow up in Pittsburgh and know what the Steelers mean to the city. To me, as a little boy growing up watching the Steelers, this means a lot to me. It's special.

It's fun once in a while to do a serious part but I really enjoy doing comedy because I love to laugh.

This industry has been really good to me. It's been a great life. I'm not through yet. I'm ready when you are, Mr. DeMille.

People ask me why it is that when I portray the 'angry young man' on screen, I really look angry. They reason that it is due to some suppression in my childhood. But, it's just that I can't help it; it's in my genes.

Black Trans Lives Matter, to me, is really different. I think it speaks most directly to the marginalization and disenfranchisement of trans people within the black community.

What's really hard is that you could care a lot for someone and not want to live with him anymore.

Small issues are really just large ones that haven't been accorded the requisite attention.

I had a hard time treating my field as if it's horse racing, putting actors in competition against each other. I see how the industry and the studios feel it's important, but I don't really have a feeling for being in competition. I want to feel sympathetic and close to others, not opposed to them.

To tell you the truth, while I do enjoy the grand-scale elements, it's the personal scenes, the character moments that I really find satisfying. That's where I get to delve into the characters' minds and hearts. That's where they become living, breathing beings to me.

I'm really quite simple. I plant flowers and watch them grow... I stay at home and watch the river flow.

So many of us have loved ones and people we really care about, and the only time we show affection is when they are gone. I have preached at funerals, and you see loved ones who didn't even say hello to dear ones when they were alive. Give them hugs, kisses while they are alive and need it.

Typically, we get annoyed when our spouses complain. We get defensive. But, really, when your spouse complains, he or she is giving you wonderful information about what would make him or her feel loved.

Sometimes, I want to talk on a song and be angry, because I am angry. Then there's always a part of me that remembers that this record lives past my being angry, and so do I really want to be angry about that? Is that feeling going to have longevity?

The tools and technologies we've developed are really the first few drops of water in the vast ocean of what AI can do.

The poet does not know - often he will never know - whom he really writes for.