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I get to play what I'm feeling on my solo records, and I get to bang the hell out of a drum kit in Black Sabbath.
I actually like a lot of Motorhead records.
I'm very proud of it as a Yes record amongst many of the other Yes records.
They wouldn't play my records on American radio because I had spiky hair. They said, 'Punk rock doesn't sell advertising, it won't make any money.'
People say, 'When are you making this comeback?' I say, 'It's not a comeback, it's a record.' They say, 'Where have you been all these years?' I say, 'I've been making records.'
I think that 'Tell the Truth' is one of the best rock records ever made by me or anyone - I really do.
Well, everybody faces the fact there really aren't many records stores around to just go and browse. Maybe browse online, yet that tactile feel of flipping through a stack of vinyl remains one of life's simple pleasures.
Formats are constantly changing, and there are really no rules for the way you put your records out anymore.
Tower Records is like a temple to me. I'll stay there for hours. Nobody can shop for records with me. It drives them out of their minds.
The first records I heard were from Dizzy Gillespie and people like that.
The Righteous Brothers got so heavy because of the dramatic hit records like 'Lovin' Feelin.' Bobby and I just felt like we were a couple of Orange County guys who were just having a great time singing rock n' roll, and then, boy, it became something else.
I'm pretty much a documents reporter. I'm a public records geek.
My first records are integral because I made them, you know, and I'm going to learn from those mistakes.
I got to meet Kanye West because we were shopping my artist deal, and I was interested in his label. When I met him, I played him all the records I had. He introduced me to Rihanna, and she recorded and cut some of those records.
I'm not a machine that just comes up with records and can give them away easily.
I'm lyric conscious. I like to tell stories, give advice. Instead of writing a 'Dear Abby' column, I do it on records.
I remember ordering records out of the Dischord catalog in the '80s, and there would be a handwritten note.
I don't know how old I was when I first started going to shows, maybe 14 or 15, but very quickly, I discovered Dischord Records in D.C. and loved all the music on that catalog. I was a big Rites of Spring fan, Minor Threat, of course.
One overlooked great 1980s rock n' roll band, maybe punk rock - they were on SST Records, same label as Black Flag - is this band called the Leaving Trains.
I began by listening to my mother's collection of Amelita Galli-Curci and Lily Pons records, and then was taken (at age eight) to hear Pons at a Met performance of Lakme. It was at that moment that I decided to become an opera star. Not just an opera singer, but an opera star!
Playing in a band, selling records through mail order, and selling clothes - these are all things I love doing. If that can please others, then I couldn't be happier.
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