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You ask people to fall in love with you. To need you. To want you. To buy your records and come see you. You have an emotional contract with people. To break up is to violate that contract.

My goal has always been to make classic records, classic albums. Sometimes the recording process and the era it was recorded in means the production leans in a particular way, but to me they are all part of the same process.

I don't have any records from back in 2002, but when people called and asked me to speak to groups, I went and spoke to groups.

I played on Asia records with Geoff Downes.

World records at 19. I don't want that. Later, yes. And when it comes, I'll learn to live with it, but it won't be my first love.

I'm the one who has made all the sacrifices. Those are my American records, not the country's.

We always just go out there and do what we do. That's the way we approach all of our records.

When I was a kid, I never thought I would ever be able to make records and never really thought seriously about a musical career because a musical career was being Fabian or Frankie Avalon or something. It didn't make any sense. There wasn't any possibility to get into that world.

I can walk into Tower Records, go get my box set, take out my Steve Miller credit card, and the clerk will look at me and go, 'Thanks, next.'

I produced the Buckcherry album and I just finished a band called American Pearl on Wind-Up Records. That's Creed's label. They're pretty rocking. Now I'm looking for another band to produce.

It's not like making records is terrible. Still, I do find the writing of the songs and the live shows to be the things that give you the most clear picture of what it's all about.

It's one of those records that will stand forever. I really can't imagine anyone touching it.

My favorite moment of the whole thing was when John Belushi suggested that I get a hold of all the blues records I could so I could research the music.

I pick projects according to how fascinating they are to me, and it has resulted in a broad reach. My records are actually in five different sports: balloons, airplanes, airships, gliders, and sailboats.

The bands that have been the most important to me, and the records that have been the most important to me as a fan, have been records that surprised me for one reason or another.

Nobody sells records any more, and the only way you can actually do anything is to go out and play live.

I like that band Get Hustle. They're cool live. I haven't heard their records, though.

In my early 20s, I was buying Kristofferson records. I loved his acting; then I found out all the songs he wrote. I loved the Highwaymen. I collected all that stuff.

But when our first album came out, I didn't think it was going to sell a lot of records.

When I opened the world's largest Internet cafe, certified by the 'Guinness Book of Records,' in Times Square in New York, I was live on 'Good Morning America,' and for me, that was an achievement.

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