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I have a gym membership, but that's always been more about muscle building for roles.
We live in the golden age of character actors - in an age when actors who have done their time in character roles are frequently asked to carry dark movies and complicated television dramas.
Character actors like Philip Seymour Hoffman and James Gandolfini have found themselves getting more and more leading roles because they are permitted to behave onscreen in ways that George Clooney and Matt Damon never could.
I've worked a lot in comedy. As much as I love playing dramatic roles, it's always nice to be able to have some humor around when working.
Actors do tend to get pigeonholed. People want to know who you are so they can put you in a box. It's lovely to be known for such diametrically opposite roles.
I'm interested in pursuing roles that allow me to push against my own walls, my own constraints as a human being, and to find out where I'm capable of going. In real life, I'm not very good at feeling emotions, so I like to do it through my work.
From an egotistical point of view, I'm always interested in roles that push me as a person. I'm interested in humans as animals and as products of society.
I would absolutely like to play more leading roles. There's no philosophy - well, the only philosophy, I suppose, is to try and do different things.
I've been really lucky to have had a variety of roles, and I don't think I'm in danger of being typecast as the romantic lead. I think there's honour in working as constantly as you can. That isn't easy. And I'm no matinee idol.
In the the late seventies and early eighties, I played background roles in thirty movies... Woody Allen movies, Scorsese films, you name it. Whatever was being shot in New York, I was doing stand-in and background work because I wanted to be close to the camera; I wanted to see what was going on.
One of the first speaking roles I had was in a film called 'Svengali', with Peter O'Toole and Elizabeth Ashley. I was a waiter, and I had about three lines. And I was ready! I had been around people like that, and I knew they were just actors. All the work I had done, it was all there, and I felt like I knew all the mechanics.
Meryl Streep spoke about roles drying up. If that happened to her, can you imagine our plight? This is the reality of women performers all over the world.
The kind of roles one wants to do arent being written; the stories one wants to tell are few and far between; and the ones that come to me, I do them.
I don't often get Indian girl roles because I'm 'not Indian enough.' Which is true - I'm from Texas.
I am Indian-American, but I often play ethnically ambiguous roles.
Villains are always the best roles, but that meant that for months afterwards, all I got offered were absolute cads and bounders and really nasty pieces of work, as well as a lot of people who only had one arm. Such is the limited imaginative power, you see, of a great many casting directors.
I've turned down a lot of roles to make time to record and tour.
I look for roles where I can do justice, show people a side of Bollywood they haven't seen before.
I feel like life imitates art, or art imitates life. I always take on roles that I'm passionate about.
We don't put gender roles on our marriage and our relationship. If I'm working a lot and Cory's home, he will put Cree to bed, and if dishes need to be washed, he will wash them. So it's not like, 'Oh, I'm going to wait until my wife gets home, and she's going to be doing all that.'
Any comedic roles that I've gone out for usually end up going to a white woman or a gay man instead.
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