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It's nice, though, getting older and being able to do different roles.
I did 'Damnation' on USA, and hopefully I keep picking up smaller roles and learn the craft.
I'm sure my agents would like me to play leading roles, and I guess I should, but I'm more interested in the character parts. They're more fun, challenging and interesting.
It was strange doing that transition from teenager to more adult roles, but I think it just makes it more exciting.
There's sort of a very symbiotic thing that happens on good TV shows with great writers, which is that they start to sort of embrace who the actors are and try to make the roles more specific to what they bring and what they can do.
Sometimes you have to re-invent yourself in this business in order to be accepted in different roles.
When I left university I got a job with Shell on their graduate scheme. One of my roles was as a commercial manager for liquid natural gas shipping, project economics and contract negotiation.
I jumped at the chance and auditioned for a leading role in the musical 'Hair,' which was touring in Berlin and London. I won roles in both productions and left my job as a secretary after 18 months in 1970 to join the cast of 'Hair' in Berlin. I opted for Berlin because a girl from my neighborhood was also going to perform in 'Hair' there.
Maybe when I'm 50 I'll still look incredible and I'll finally be able to reprise my dream roles.
I want to do roles that provoke us to think differently or realise ourselves in a new light. Characters of women who have an interesting story to tell. I'd love to do a period film, an action film, a character study.
I want to do roles that allow me to push my boundaries and provoke us to think differently.
There are so many good roles for women out there, I don't understand it when people say the role choices are fewer as you get older. I find the opposite to be true - there are less good roles out there for the hot 20-year-olds because the normal girl parts just aren't interesting.
The roles that men and women play are no longer the standard traditional roles of way back when but are those of two very individual people living their lives. I think it's been a hard transition in society - just take a look at the divorce rate - to figure out what that means now. How do you resolve that?
At 'Wicked,' they are really great about letting you make your own choices with the roles.
One thing I like about trying to write is that I can possibly write myself a role. Otherwise, you're at the mercy of whatever roles are out there that people are willing to give to you.
There is so much freedom I enjoy in theatre. In films, the roles are limited.
I think I was 10 when I did my first community play, and then I started booking bigger roles in these plays, and people were telling me and my parents that I was talented. And I was like, 'Well, this is something I wanna do.'
We're comfortable with women in certain roles but not comfortable with women expressing anger or fully accepting their power. The most daring question a woman can ask is, 'What do I want?'
Television is a lot more fast-paced, where with films, you really have the ability to get to know your characters. When I was doing guest star roles, I was only one, like, one episode of a thirty minute to an hour show, so you don't really have time to get to know my characters.
It's been difficult to find roles that are independent, strong, and self-assured; I always say I can't play the princess. I'm not a pretty princess! I'm a tomboy.
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