Quotes on Rooms

Let me, if I may, be ever welcomed to my room in winter by a glowing hearth, in summer by a vase of flowers. If I may not, let me think how nice they would be and bury myself in my work. I do not think that the road to contentment lies in despising what we have not got. Let us acknowledge all good, all delight that the worlds holds, and be content without it.

You're like a witness. You're the one who goes to the museum and looks at the paintings. I mean the paintings are there and you're in the museum too, near and far away at the same time. I'm a painting. Rocamadour is a painting. Etienne is a painting, this room is a painting. You think that you're in the room but you're not. You're looking at the room, you're not in the room.

The master of ceremonies asked people to say what they thought the function of the novel might be in modern society, and one critic said, “To provide touches of color in rooms with all-white walls.” Another one said, “To describe blow-jobs artistically.

My mind has been the most discontented and restless one that ever was put into a body too small for it.... I never felt my mind repose upon anything with complete and undistracted enjoyment- upon no person but you. When you are in the room my thoughts never fly out of window: you always concentrate my whole senses

Tyrion Lannister could not have been more astonished if Aegon the Conqueror himself had burst into the room, riding on a dragon and juggling lemon pies.

You must have a room, or a certain hour or so a day, where you don’t know what was in the newspapers that morning, you don’t know who your friends are, you don’t know what you owe anybody, you don’t know what anybody owes to you. This is a place where you can simply experience and bring forth what you are and what you might be. This is the place of creative incubation. At first you may find that nothing happens there. But if you have a sacred place and use it, something eventually will happen.

You were just a boy on a bed in a room, like a kaleidoscope is a tube full of bits of broken glass. But the way I saw you was pieces refracting the light, shifting into an infinite universe of flowers and rainbows and insects and planets, magical dividing cells, pictures no one else knew.

I was taken to an examining room where a big butch nurse practitioner came in and asked me if I was pregnant. “No way!” Was I sexually active? “Nope!” Had I ever been molested? “Well,” I said, trying to make a joke, “Oprah says the only answers to that question are ‘Yes’ and ‘I don’t remember.’ ” I laughed. We were having fun. The nurse looked at me, concerned/annoyed.

They say time is money, but that's not true. Time is life. And if I want the fullest life, I need to find fullest time... the busyness of your life leaving little room for the source of your life... God gives us time. And who has time for God? Which makes no sense.

Death is impatient and thoughtless. It barges into your room when you are right in the middle of something, and it doesn't bother to wipe its boots.

The Matisse seemed to respond to the decreasing light by increasing its own wattage. Every object in the room was drained of color, but the Matisse stood firm in the de-escalating illumination, its beauty turning functionality inside out, making itself a more practical and useful presence than anything else in sight.

I tried to keep myself away from him by using con words like "fidelity" and "adultery", by telling myself that he would interfere with my work, that I had him I'd be too happy to write. I tried to tell myself I was hurting Bennett, hurting myself, making a spectacle of myself. I was. But nothing helped. I was possessed. The minute he walked into a room and smiled at me, I was a goner.

The entire world was like a palace with countless rooms whose doors opened into one another. We were able to pass from one room to the next only by exercising our memories and imaginations, but most of us, in our laziness, rarely exercised these capacities, and forever remained in the same room.

There is something demoralizing about watching two people get more and more crazy about each other, especially when you are the only extra person in the room.

Suddenly the full long wail of a ship's horn surged through the open window and flooded the dim room—a cry of boundless, dark, demanding grief; pitch-black and glabrous as a whale's back and burdened with all the passions of the tides, the memory of voyages beyond counting, the joys, the humiliations: the sea was screaming.

The generosity of the Earth allows us to feed all mankind; we know enough about ecology to keep the Earth a healthy place; there is enough room on the Earth, and there are enough materials, so that everybody can have adequate shelter; we are quite competent enough to produce sufficient supplies of necessities so that no one need live in misery.

Today I might lose both of them. I try to imagine a world where both Gale's and Peeta's voices have ceased. Hands stilled. Eyes unblinking. I'm standing over their bodies, having a last look, leaving the room where they lie. But when I open the door to step out into the world, there's only a tremendous void. A pale grey nothingness that is all my future holds.

It might be lonelier Without the Loneliness - I’m so accustomed to my Fate - Perhaps the Other - Peace - Would interrupt the Dark - And crowd the little Room - Too scant - by Cubits - to contain The Sacrament - of Him - I am not used to Hope - It might intrude upon - Its sweet parade - blaspheme the place - Ordained to Suffering - It might be easier To fail - with Land in Sight - Than gain - My Blue Peninsula - To perish - of Delight -

The rest, with very little exaggeration, was books. Meant-to-be-picked-up books. Permanently-left-behind books. Uncertain-what-to-do-with books. But books, books. Tall cases lined three walls of the room, filled to and beyond capacity. The overflow had been piled in stacks on the floor. There was little space left for walking, and none whatever for pacing.

It starts with this: put your desk in the corner, and every time you sit down there to write, remind yourself why it isn't in the middle of the room. Life isn't a support system for art. It's the other way around.

Thus thought I, as by night I read Of the great army of the dead, The trenches cold and damp, The starved and frozen camp,-- The wounded from the battle-plain, In dreary hospitals of pain, The cheerless corridors, The cold and stony floors. Lo! in that house of misery A lady with a lamp I see Pass through the glimmering gloom And flit from room to room. And slow, as in a dream of bliss, The speechless sufferer turns to kiss Her shadow, as it falls Upon the darkening walls.