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It is that unoccupied space which makes a room habitable, as it is our leisure hours which make life endurable.

Off the floor I'm really laid back, like nothing really fazes me too much. But on the floor I do get emotional and a little carried away. However, I started playing when I was 13 to have fun with my teammates, and that never stopped. I enjoy traveling and having fun in the locker room with the guys. Life is too short to be miserable.

What do I do when we're not taping? Sit in a dark room and refine my plans for someday ruling Earth from a blimp. And chess.

Remember, when something leaves your life, God is making room for something much better to enter! Get ready!

I had a brain cancer specialist sit in my living room and tell me that he would never take radiation if he had a brain tumor. And I asked him, 'but, do you send people for radiation?' and he said, of course. 'I'd be drummed out of the hospital if I didn't.

In January 1962, when I was the author of one and a half unperformed plays, I attended a student production of 'The Birthday Party' at the Victoria Rooms in Bristol. Just before it began, I realised that Harold Pinter was sitting in front of me.

Perfectionism is the death of a great room.

Interiors speak! Rooms emphasize whether one exists or lives, and there is a great difference between the two!

There is nothing more trite than a period room imposed on a contemporary setting.

The easiest approach to any strong color is to use a lot of it, thus unifying a room. However, beware of too many strong colors unless you happen to like living on a battlefield.

Better rooms better furniture, better objects d'art can only be created for a society interested in living - not existing.

How obvious it is that color has its various connotations-hue, value, and intensity - and without the basic understanding of these three determining factors, we are somewhat limited in the proper use of color in rooms.

...When someone asks me to help create a room my first reaction, if I do not already know the person, is to try to feel out what he or she really wants the room to be and to understand, if possible, what "memory," old or new, has brought this idea about.

I think everyone must have a first memory of some house, some room, a vivid picture that will remain deep down in one forever.

I never think that sticking slavishly to one period is successful, a touch of nostalgia adds charm. One needs light and shade because if every piece is perfect the room becomes a museum and lifeless.

"I'm going over the valley." (Dying from throat cancer, his doctor found him wandering around his room, asked him where was he going?)

Yes, but another writer I read in high school who just knocked me out was Theodore Dreiser. I read An American Tragedy all in one weekend and couldn't put it down - I locked myself in my room. Now that was antithetical to every other book I was reading at the time because Dreiser really had no style, but it was powerful.

One of the pleasantest things in the world is going on a journey; I can enjoy society in a room; but out of doors, nature is company enough for me. I am then never less alone than when alone.

When I do documentaries, my best information ends up on the cutting-room floor. People have trouble dealing with sexual honesty.

The sum of a man's problems come from his inability to be alone in a silent room.

This silent call you make, A silence so loud I fear the world knows it's meaning If you fill every corner of a room Where can I look? If I close my eyes the silence becomes louder! There is no escape from you The only way out is in

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