I am against the line and all its consequences: contours, forms, composition. All paintings of whatever sort, figurative or abstract, seem to me like prison windows in which the lines, precisely are the bars.
Yves KleinRead
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I am against the line and all its consequences: contours, forms, composition. All paintings of whatever sort, figurative or abstract, seem to me like prison windows in which the lines, precisely are the bars.
The older I get, the smarter my father seems to get.
We have the choice of two identities: the external mask which seems to be real...and the hidden, inner person who seems to us to be nothing, but who can give himself eternally to the truth in whom he subsists. (295)
The Christmas spirit does not shine out in the Christian snob. For the Christmas spirit is the spirit of those who, like their Master, live their whole lives on the principle of making themselves poor -- spending and being spent -- to enrich their fellow humans, giving time, trouble, care and concern, to do good to others -- and not just their own friends -- in whatever way there seems need.
The book, as it stands, seems to me to be one of the most frightful muddles I have ever read, with scarcely a sound proposition in it beginning with page 45 [Hayek provided historical background up to page 45; after that came his theoretical model], and yet it remains a book of some interest, which is likely to leave its mark on the mind of the reader. It is an extraordinary example of how, starting with a mistake, a remorseless logician can end up in bedlam.
Nothing seems to me to be rarer today then genuine hypocrisy. I greatly suspect that this plant finds the mild atmosphere of our culture unendurable. Hypocrisy has its place in the ages of strong belief: in which even when one is compelled to exhibit a different belief one does not abandon the belief one already has.
It seems that the necessary thing to do is not to fear mistakes, to plunge in, to do the best that one can, hoping to learn enough from blunders to correct them eventually.
I am beginning to suspect all elaborate and special systems of education. They seem to me to be built up on the supposition that every child is a kind of idiot who must be taught to think. Whereas, if the child is left to himself, he will think more and better, if less showily.
We seem but to linger in manhood to tell the dreams of our childhood, and they vanish out of memory ere we learn the language.
At present I absolutely want to paint a starry sky. It often seems to me that night is still more richly coloured than the day; having hues of the most intense violets, blues and greens. If only you pay attention to it you will see that certain stars are lemon-yellow, others pink or a green, blue and forget-me-not brilliance. And without my expatiating on this theme it is obvious that putting little white dots on the blue-black is not enough to paint a starry sky.
For all parts of the body that we see fit to expose to the wind and air are found fit to endure it: face, feet, hands, legs, shoulders, head, according as custom invites us. For if there is a part of us that is tender and that seems as though it should fear the cold, it should be the stomach, where digestion takes place; our fathers left it uncovered, and our ladies, soft and delicate as they are, sometimes go half bare down to the navel.
On why I don't trust democracy without extremely powerful systems of accountability and recall What seems to be generosity is often only disguised ambition - which despises small interests to gain great ones.
A town is a thing like a colonial animal. A town has a nervous system and a head and shoulders and feet. A town is a thing separate from all other towns alike. And a town has a whole emotion. How news travels through a town is a mystery not easily to be solved. News seems to move faster than small boys can scramble and dart to tell it, faster than women can call it over the fences.
Just because an animal is large, it doesn't mean he doesn't want kindness; however big Tigger seems to be, remember that he wants as much kindness as Roo.
On the screen were some flashback shots of Daniel, Emma and Rupert from ten years ago. They were 12. I have also recently returned from New York, and while I was there, I saw Daniel singing and dancing (brilliantly) on Broadway. A lifetime seems to have passed in minutes.
I've observed over and over that people seem to get a much deeper sense of fulfillment out of something they've done as an act of service than out of the things they do for themselves.
All my life I have been passionately interested in monomaniacs of any kind, people carried away by a single idea. The more one limits oneself, the closer one is to the infinite; these people, as unworldly as they seem, burrow like termites into their own particular material to construct, in miniature, a strange and utterly individual image of the world.
The need to become a separate self is as urgent as the yearning to merge forever. And as long as we, not our mother, initiate parting, and as long as our mother remains reliably there, it seems possible to risk, and even to revel in, standing alone.
Our paradigm now seems to be: Something terrible happened to us on September 11, and that gives us the right to interpret all future events in a way that everyone else in the world must agree with us. And if they don't, they can go straight to hell.
Many who seem to be struggling with adversity are happy; many, amid great affluence, are utterly miserable.
Now I felt the long-forgotten urgency of lovemaking, when it seems one's human selves leave, to be replaced by hungry beasts bolting their food. Gone are the civilized beings who talk of manners and journeys and letters; in their places are two bodies straining to give birth to a burst of inhuman pleasure followed by a great, floating nothingness. An explosion of life followed by death - in this we live, and in this we foreshadow our own sweet deaths.
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