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All that happens to us, including our humiliations, our misfortunes, our embarrassments, all is given to us as raw material, as clay, so that we may shape our art.
Lift up your eyes upon _x000D_ This day breaking for you. _x000D_ Give birth again _x000D_ To the dream. _x000D_ Women, children, men, _x000D_ Take it into the palms of your hands. _x000D_ Mold it into the shape of your most _x000D_ Private need. Sculpt it into _x000D_ The image of your most public self. _x000D_ Lift up your hearts _x000D_ Each new hour holds new chances _x000D_ For a new beginning.
Every moment I shape my destiny with a chisel - I am the carpenter of my own soul.
Don't regret your past...It has shaped you. Don't fear your future...It is yours to shape.
But then, that's the beauty of writing stories-each one is an exploratory journey in search of a reason and a shape. And when you find that reason and that shape, there's no feeling like it.
Aspire to be like Mt. Fuji, with such a broad and solid foundation that the strongest earthquake cannot move you, and so tall that the greatest enterprises of common men seem insignificant from your lofty perspective. With your mind as high as Mt Fuji you can see all things clearly. And you can see all the forces that shape events; not just the things happening near to you.
A basic assumption shapes most Americans’ mindset about labor: the belief that the death of unions isn’t my problem because I’m not in a union. That assumption is wrong. Even if you aren’t a member, your pay is influenced by the strength or weakness of organized labor. The presence of unions sets off a wage race to the top. Their absence sets off a race to the bottom.
From my point of view, your life is already a miracle of chance waiting for you to shape its destiny.
This fork in the road happens over a hundred times a day, and it's the choices that you make that will determine the shape of your life.
There are mythologies that are scattered, broken up, all around us. We stand on what I call a terminal moraine of shattered mythic systems that once structured society. They can be detected all around us. You can select any of these fragments that activate your imagination for your own use. Let it help shape your own relationship to the unconscious system out of which these symbols have come.
I gather together the dreams, fantasies, experiences that preoccupied me as a girl, that stay with me and appear and reappear in different shapes and forms in all my work. Without telling everything that happened, they document all that remains most vivid.
Talent consists not in inventing shapes but in causing those that were invisible to emerge.
Women of all looks, shapes, sizes, everything, if they recognize how beautiful they are-because they all are-then they carry it that way. And you can see that. Confidence is reflected in how they walk and how they dress and how they speak and how they carry themselves. It's just amazing. And that can turn anybody's head pretty quick, especially mine.
Do not limit the shape and size in which your miracle can come. Sometimes the smallest keys turn the biggest locks.
Making clothes involves what I like...color, pattern, shape and movement...I like the everyday process...the people, the pressure, the surprise of seeing the work come alive walking and dancing around on strangers. Like red lipstick on the mouth, my products wake up and brighten and bring the wearer to life...drawing attention to her beauty and specialness...her moods and movements...her dreams and fantasies.
I often think of that rare fulfilling joy, when I am in the presence of some wonderful alignment of events. Where the light, the colour, the shapes and the balance all interlock so beautifully that I feel truly overwhelmed by the wonder of it.
To me the director’s job is to leave it in better shape than you found it, literally.
Cinema doesn't connect with the body as artists have in two thousand years of painting, using the nude as the central figure which the ideas seem to circulate around. I think it is important to somehow push or stretch or emphasize, in as many ways as I can, the sheer bulk, shape, heaviness, the juices, the actual structure of the body. Cinema basically examines a personality first and the body afterward.
There's no way running on a beach or at some high school playground that you're going to get in football shape like you do when you practice.
There was a time when everyone thought that Earth was flat. Did this unanimous consensus make any difference to the shape of Earth?
The most important rule: Do not, I repeat, do not censor yourself in any way. Leave your editorial mind out of the loop. Just let the ideas come pouring out in any way, shape, or form they want to. Do not judge anything.
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