I think that a show that is as successful as 'The Golden Girls' is a once-in-a-lifetime thing. If you don't feel proud to be part of a show that has that kind of track record, then shame on you, because that's a privilege.
Betty WhiteRead
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I think that a show that is as successful as 'The Golden Girls' is a once-in-a-lifetime thing. If you don't feel proud to be part of a show that has that kind of track record, then shame on you, because that's a privilege.
White, older showrunners told me, 'Why do you want to hire an all-Latinx writers room? Hire who's best for the show - don't get caught up in that.' And I was like, 'No.' For such an intimate show about the details of a culture? You can't fake that. The room needs to reflect the makeup of the show.
I think 'Dear White People,' the show, is a tremendous artistic achievement. It's always hinting that there is something beyond the pleading and wokeness, something that the show's more militant characters can't see.
I never thought much about success early on. I only thought about being a comedian - or just being in show business, is really more accurate.
I never thought about success. I always thought about doing the job at hand. My goal was getting through the show that night.
That's why I call the show 'Us & Them,' because I believe there is no 'them.' There's only 'us.'
Every day, you're only as good as your last show.
Stop looking for the 'right' career, and start looking for a job. Any job. Forget about what you like. Focus on what's available. Get yourself hired. Show up early. Stay late. Volunteer for the scut work. Become indispensable. You can always quit later, and be no worse off than you are today.
In drama school, they do these big shows and period dramas, and I felt that none of those shows were representing me as a person, and I knew I wouldn't be cast in any of those when I left school. I decided to write my own one-woman show, and that was called 'Chewing Gum Dreams.'
If you come into any creative project without questions, you're gonna bore yourself, and it'll show on the page.
The power of story and the power of a well-crafted film or television show is really all you need to speak to people. I think Hollywood is sort of catching up to that.
I never turn on the crowd. Sometimes, you think it's a terrible show, and then afterward, sometimes people say they really liked it. So turning on the crowd is only going to alienate the few people who might like it. What do I do in that situation? Get through it.
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