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Just as I was turning fifteen, in the spring of 1946, my parents took me to see 'The Glass Menagerie,' well into its year-long run. I had seen a number of shows on Broadway by then, but nothing like this - because there was nothing like this on Broadway.

'SpongeBob,' 'Hey Arnold!,' 'Rocket Power.' I watched all those shows, man.

When people come to my shows, they're like, 'I can't believe you can actually freaking sing!'

I'm like a dude. Jordans are my favorite. I wear them all the time for shows. I can get girly-girly when I want to, but I can't perform in heels. I would bust my face open on stage, and we don't want that.

The thing I get the most that I really love is that people don't so much mention films I've been in or shows I've been in as they say, instead, 'I love you. I just love your perseverance.' That really pleases me.

A lot of times I play my music at shows based on the views and the streams.

My granddad was very funny and I really loved making people laugh. I used to do puppet shows and I really liked seeing people's reactions.

My wife got all freaked out when we started doing the reality show because she said she saw all these reality shows, and everyone was getting divorced.

I'll talk about the banjo all day long and the history of minstrel shows.

What Darwinian theory shows us is that all human races are extremely close to each other. None of them is in any sense ancestral to any other; none of them is more primitive than any other. We are all modern races of exactly equal status, evolutionarily speaking.

Trade shows such as the wire tappers' ball are highly secretive and ban journalists from attending. None of the U.S. agencies that attended the wire tappers' ball - including the FBI, the Secret Service, and every branch of the military - were willing to comment when a reporter queried them about their attendance.

I lose my sense of humour watching shows that are made up entirely of clips of people hurting themselves.

I adore 'The Apprentice' but I always feel I shouldn't support reality shows when there's so much drama that ought to be being made. I feel particularly guilty enjoying 'Young Apprentice' because you're sneering at adolescents.

I always felt like the best comedy came out of sadness, and some of my favourite shows growing up - a lot of my influences - have these very sad characters and treat that sadness seriously while also being very funny.

I've been to Chennai several times for modelling shows and shooting ad films. It's a great place to come back to because the people are warm and welcoming. I've never had the opportunity to actually see the city, but whatever places I've been to have really caught my attention.

Comedy illuminates. And it unifies people, it's not as polarizing as shows with specific political agendas.

When I grew up in the '80s, all of my favorite TV shows always had these great openings, and it always got me excited.

They tell us we make a lot of money from shows, so they don't pay for film recordings of the songs. The idea is technically wrong. It is like telling an actor that you don't charge for films because you would get money from endorsements. How does that make sense? It is technically wrong.

When people make fun of me in their shows, I don't say anything.

I was auditioning since the age of 14 to be in Broadway shows, and it just never happened for me.

I am so tied up with my Bollywood projects that I have no time for fashion shows.

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