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I'm not a celebrity chef. I'm a chef that happens to have television shows and a chef that happens to do media.
I never knew I would go this far, but I was told by people it wouldn't happen, and now I own four restaurants, and I have one of the best shows on the Food Network. I'm living in the Super Bowl of food.
I've been running my own record label and doing my weekly radio shows, but people don't see the work. People only see your rise instead of the whole thing.
There are some times where being on the shows are great. Sometimes it's hard, when it's just like, 'the show must go on,' and there's a TV show that's being done.
In country, you can grow old with your fans. You can still do shows when you're 70.
I always wish for more time at home or at the restaurants or on the shows.
I've done two shows every day for years, but I don't think I could work on just one show a week. I would go crazy, and I would drive everybody nuts. I've got to feel like I'm under pressure.
I've always loved 'Before and After' stories, in books, magazines, and TV shows. Whenever I read those words, I'm hooked. The thought of a transformation - any kind of transformation - thrills me. And that's the promise of habits.
Working in Italy can be quite hard because they don't have schedules - we arrive at TV shows and they're like, 'We're not sure when you're on, could be a minute, could be an hour.' We were on their equivalent of 'The Voice' and the timing was determined by whenever the judge decided the time was right. We waited five hours!
I have a lot of good stories for talk shows about the conditions in which I worked.
The skill set that lets you be alone in your pyjamas for two years writing a book is not the same skill set that lets you go on television shows like 'The View' or 'Late Night With Jimmy Fallon.'
With couture, you're going right to the consumer, and that's something we learned from doing trunk shows. You're meeting the client; you're finding out what they like and what they don't like. You've really got your customer there in front of you, so you know what works and what doesn't.
I grew up in the age of radio. That was my main boyhood form of entertainment: lying on the living room floor with my ears affixed to the radio. I loved shows like 'The Phantom,' 'Cisco Kid,' and even 'Happy Theater' when I was younger.
Dramatic shows are the ones that I am attracted to.
Storytelling has changed. Shows like 'Adventure Time' have taken storytelling in a different direction.
I won't even watch my own shows - I know what I've filmed and I see snippets when recording voiceovers.
I think why I am such a success in regards to my shows, is I don't give you an impression that my world's all rose tinted glasses, candy floss, sequins and glitter.
I want to focus on my training and leave no room for distraction. So, reality-tv shows are a no-no.
Presenting football is something that I love to do. I'm very fortunate being able to do one of the BBC's flagship shows.
Each medium has its own beauty and way of working. While television offers immense reach and long-running shows, films are shorter and they are presented differently. With theatre, it's the thrill of instant feedback.
Good shows have to get made in the first place... The regular ones don't excite me as an actor but at the end of the day, I have to work to earn my bread and butter.
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