Explore Quotes on Shows

For the live shows, I'm just getting my song together. I go back to my hotel room and I just listen to my song over and over again, figure out how to make it different and put my little Pia spin on it.

So, I've got to have food, I've got to have humor. But these things are just the way in to what the show's really about, I think, which is connecting with the people.

I hate performing on live television. It's so scary, because, if you screw up, you don't really get any retakes. So when I do television shows now, having been on 'Idol' really helps me mentally to just kind of take it all in. So I learned a lot from it.

Live shows are really big for me. I want to do as many of those as I can.

I'm into zombie movies like 'World War Z' and the shows 'Breaking Bad' and 'The Walking Dead.'

You always see a better side of where you're visiting when a local shows you around.

One of my favorite poker shows on television is 'Poker After Dark.'

I like Copenhagen, just because my shows there have been really good for some reason. Not that I love the city itself, but every time I play there it feels amazing. Pretty nice people there.

My shows have never been related to my albums at all because my albums have all kinds of crazy instruments and stuff that could never be performed live. I'm used to people expecting this 12-piece band to show up with three drum sets and an accordion.

Not that there weren't great shows, and not that there wasn't plenty of fine music played. It's just that the consistency and the height of where we could take it, with the help of the audience, was less, I felt, in the '90s.

Because, first of all, we were becoming aware during that tour that there was a group of people that was following the band around, and they weren't interested in coming in to the shows, they were just interested in hangin' out outside and tryin' to break in.

But we were really locked in to that kind of format, and as the '90s wore on, it became for me more solidified, in that sense that there weren't as many of those magical shows that were just magic all the way through as there had been in earlier years.

Everybody gets to a stage when it's time to move on. I was bored, and the band wasn't going anywhere, so I left. I did a couple of shows on Broadway and some other things. I was busy. I just wasn't making records.

I do miss talking in the press, I miss meeting journalists at shows and stuff but maybe that's more out of habit than anything?

If I am popular across the board, from teenagers to pensioners, it's not because I'm trying to be family-orientated, it's because my mum vets all my shows! I always get a critique from her and she's very harsh.

The best shows I've done, the writers, actors, and directors have been pretty much left alone - maybe given a little guidance to make it a little more this or more that. But the heavier the hand on the show, I find, the more troubled the show is.

I have not taken inspiration from the fashion shows. I don't even really go to too many of the fashion shows - and have not for 15 years - because I don't want to be inspired by the same things as everyone else. If everyone is inspired by the same things, then of course, you all do the same pictures.

People often say, 'You don't go to fashion shows? What kind of photographer are you? What the hell is the wrong with you, man?' But that's what I need in order to be who I am.

I think a lot of people are getting bored of audition-based shows, along the lines of 'Strictly Come Dancing' or 'The X-Factor'. I know I am. But 'Dragons' Den' will have a longer shelf-life than all of them because it's fundamentally real in a way that other shows aren't.

Most shows get dumped by the networks, do a couple of years in syndication, then they're in the vault. 'Mission: Impossible' has never been off the screen.

In our early period we pretty much survived or perished on our capacity to reach people, and on getting into the pattern of having no money and playing lots of shows.