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I've noticed more people coming to shows and I've had a feeling that they were from a part of the culture I haven't been able to get to before, younger people. I think on iTunes they've been experimenting with my songs and the digital radio world has been very kind to me.

I was absolutely delighted that those shows have been preserved.

You just have your teammates and yourself out there to pick you up, so just kind of shows you how strong you really can be.

I just love shows that don't hand everything to you, that ask you to be smarter. I think that's something really important that HBO has done to change the landscape of TV.

It's great to be able to do shows like 'Falling in Love with the Girl Next Door,' which I think is entirely too long of a title.

Lots of TV shows say that they are like doing a movie every week, but 'JAG' truly was a huge show. Lots of once-in-a-lifetime opportunities, like being launched off an aircraft carrier and being welcomed by military bases all over California.

You see people all the time who are on hit shows and then you never hear from them again.

My team can be as big as 50 during the busiest days of Fashion Week. I can travel with up to 75 bags of products and materials. And between shows, I personally travel on motorbike to speed through traffic and get to the next venue.

I love to look at all those young artists' work and then bring them in, have them work with me at shows.

A band's best and worst shows really aren't that far apart.

I'm a recording artist, a performing artist and a producing artist. All those things have everything to do with the outcome of my shows. I get myself studying every part of the game and not everyone has the characteristic to do that. In my mind, you need all three to become an artist.

We plan tours months in advance, and you leave a few days off here and there where you feel you'll be tired after some shows, but if other opportunities keep coming in, those days get swallowed very quickly, and it's an impossibility to get this stuff right.

If we get a few solid festival shows then I will have no problem booking the lads for as many quality club shows around them to make a nice tour come together.

When I was young, I really wanted to be a part of the end-of-year awards shows, but now that I'm actually there, it feels weird. I used to go to church and ended the year with a prayer, but now I spend it with people I'm not very familiar with at an award show, and I wonder if it's something I should be doing.

One of the best things I get to do is meet people that have been to the shows and listened to the music. I still don't indulge in the social media side of things, so that's my way of starting conversations - actually hearing people talk.

I want my shows to be eerie and mysterious.

I've been a model for 15 years, and I've been on 'Top Chef' for eight seasons, and before that I had other cooking shows, so I've learned a thing or two about how to camouflage certain areas and how to draw the eye to a preferable area of the body.

Even when you're right in the middle of a tour and you've done 30 or 40 shows, you still get them butterflies in the stomach right before you go on stage.

Well I've obviously been a guest on most TV shows and spoken a little bit and that but I got the call to stand in for Paul O'Grady when he was off.

I like game shows.

As I was growing up, I did a lot of talent shows. I won fifteen Sunday nights straight in a series of talent shows in Macon. I showed up the sixteenth night, and they wouldn't let me go on any more. Whatever success I had was through the help of the good Lord.