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To me, 'Blackberry Way' stands up as a song that could be sung in any era, really. We do it with the new doing all sort of fanfare things in it and it works really well. It goes down great with audiences.
Unfortunately, most of the songs that I write I don't write them with guitar in mind. I just write it as a song and that was probably one of the ones that left an opening for it. The song's all right, I wouldn't choose to sing it now.
Even though we didn't actually record it as the Move I had already written a song called 'Dear Elaine', which I subsequently put on the Boulders album. I thought at the time that was probably the best song I'd written.
Every song has a bouquet, which is the music. If you can put words with something that is really apt, then you've done it.
Artists don't always know. Almost every song I ever recorded that was a hit at the majors that the promotional people picked I didn't think it would be a hit. I was wrong every time!
I realized I was gay in the shower one day with Barbra Streisand. It happened while I was lathering, rinsing, and repeating with Pert Plus. As I was belting out the chorus to my favorite song from 'Funny Girl,' 'Oh my man, I love him so, he'll never know...' it hit me.
Whatever you are making, whether it's a song, an album, a painting, a film, you're connecting with a tradition, and I do feel connected to New York music.
I like the idea that a song can be about a romantic relationship, but it can also about a relationship to your career, or a relationship to your city.
As a person who doesn't identify as straight, any love song I write is contextualized by a queer identity.
I think as a producer, you're always sort of questioning if what you're contributing is something that an artist loves and elevates a song.
You grow as a writer when you learn how to make songs flow from start to finish. That's the best song, when it's such a seamless process to get to this release at the chorus, this euphoric feeling. That's why the Beatles were so good - they did such a good job building so much tension in the beginning to this immaculate release, and then it ends.
Music is a language in itself and the songs have their own soul, every song has its soul.
Milionaria' is the first song I've composed and I published in Catalan, it's also the first song I do inspired by Catalan rumba. I started it in Seville while I was waiting at the airport and I finished it in Barcelona.
I covered Halsey's song once at a concert in Japan, and she's commented on a few of my Instagram posts and it like, shocked me. So maybe one day we could get together, and that would be a dream come true because I love her voice; and she seems like the sweetest person ever.
I sing a little bit in videos, at the end of vlogs. A lot of my fans started requesting that I do a song. They started planting this seed in me.
The way to talk about something sad is to sing a funny song about it.
I won't squander my credibility, whatever that is, just for one silly song.
I love the 'Delilah' show. I've been listening to it for years and years. It's incredible. She's always got a song for the right occasion. Many people call in, maybe their spirit it a little down, and she lifts them up. She is really somebody special. She's a lifeline to a lot of people.
I learned when I started to study piano that I could play by ear. I could hear a song on the radio a couple of times and hear the song and the lyrics and sing it for you after a couple of plays.
I spent ninety percent of my money on wine, women and song and just wasted the other ten percent.
When I get all focused on songwriting, I get into all the marketing and promotion that we do to make it happen. Then the right song comes along and blows it all out of the water. The right song will do it for you every time.
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