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Some songs depend heavily on the character, but, for the most part, a great song begs for reinterpretation every time it is sung, even when in character.

When you step out and do a song in a musical, the easier thing to do is make it funny. But when those transitions become necessary, when they aren't camp, that, to me, is magic. I've done musical comedies and enjoyed them, but subject matter that's deeper and more realistic is always what's appealed to me most.

I grew up listening to The Beatles, Led Zeppelin, and every record those bands put out was very unique in its own right. I have that mentality. too: if a song sounds like something I've already done, then I'll throw it out, because I want each record to be a progression.

The thing is, my life is a country song. I don't need to be manufactured, and I don't need anyone to tell me what to say or what to sing.

I've never wanted to name an album from a song title if I could avoid it because I like it to be a body of work.

A song like 'Once in a Lifetime' is inspired by my marriage - it's a good, life-changing happening in my life. I think when you find your once-in-a-lifetime love, that's what everybody's looking for.

We did the 'L.A. to Miami' album, with the song 'Miami, My Amy,' which really saved my life as far as confidence goes. It gave me a hit. But it wasn't really what I was about - and I think deep down inside I knew it, even if I didn't want to face it.

Lyrics mean a lot to me, and I won't record a song unless I can feel it. That's something I learned from Carter Stanley. Even when he wasn't perfect technically, he got inside a song and sold it emotionally.

I believe in 'Hard Livin'.' The song has a lot of potential. I sang it on the road for about a year before I put it on an album. The crowds really seemed to like it.

You may not hear much bluegrass on the surface of my music, but I feel the emotion I put in a song comes from bluegrass. Bluegrass taught me to interpret a song, not just sing it.

It's not so uncommon for me to get so wrapped up in a song that I cry several times when I sing them. That's the difference between my music and some of the other folks.

I've talked about that with friends, about what genre makes sense to choose for each record and the strategy around that... Sometimes it's more about the moment of time, and other times it's more about the sound of the song. Sometimes it's about what's going on in larger life, in politics.

I would say Tracy Chapman was the first time I obsessed over an entire record. I knew every song; I knew the exact amount of seconds between each song. That's the level of obsession that I had.

I am certain things to certain generations. Lots of people remember me from the 'Comic Strip,' there was the 'Vindaloo' song for the 1998 World Cup, then it was playing the Sheriff of Nottingham in the BBC's 'Robin Hood.'

Am I R&B because I'm black? Am I pop because I have a song called 'Milkshake'? Or can I just be who the hell I am? Good Lord, people make it seem like we're doing heart transplants here, but we're just making music!

If you can make a movie, make one. If you can sing a song, sing it. If you can write a play, write it. If you want to run for office, run. But do something to make this world a better place.

I don't hear anyone out there that sounds like us. They can try but it's in the sonics, the whole carcass of the song. The way it attacks you is so well engineered. No one else can do that. They don't have the ability to make that noise.

I was really not into school. Everything was distracting to me. I would have a beat in my head or a song. I was always not paying attention, just daydreaming.

I think my main two songs are 'FWU' and 'Get Away.' 'FWU' made a cool point because it came out right after Chris Brown's 'Loyal' came out. I combated it with 'FWU,' a song that basically says, 'These women are loyal.'

I'm a huge fan of Ace of Base. 'The Sign?' I love that song.

When I was about 15 and doing National Youth Theatre, we had to learn this incredible Georgian folk song called 'Tsintskaro'. I don't even know what the words mean, but when I'm in the shower, it's the tune that wants to come out.

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