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A day-time song like 'Word Starts Attack,' I want to make your heart blow up and make you want to punch the air with your fist. It can't be ponderous.
I always try to relate a song to something what is going on, the working man, the times, how life goes.
Every redneck's dream is to write a song and have it go on a fishing show.
Loads of verses don't make it into the finished song.
There were numerous times where, at the end of a week of working on a song, there was a part of it that we still weren't feeling, so we'd scrap the whole thing and start from scratch the next week.
We have a song, 'Welcome to the Family' - we realized for the first time in our lives that people go through this every day around the world. There is someone very close to them that they're losing, every day. That song is, 'We know how you're feeling.'
We were about ready to go out on the road with Maiden, and Kerrang asked us to do an Iron Maiden tribute song. While we were home, we recorded that. And that was it.
There's an easy way to tell if you have a good song. You get hit in the head with a message, and you get hit in the feet with a rhythm. You're beaten up with music. It's a beautiful thing when that happens.
When I think of a song, I think of it as a beast. You chase these beasts around the room and try to grab them and put them in a tape machine. But they're slippery, and they run away a lot.
But I'll never write another Missing You' again as long as I live. I hope that I'll write a good song, but I don't think that I'll be able to write another song that will reach people that much.
When I was playing piano, it was like, 'I'm going to write a song using all the white keys.' My music director, who knew my jazz background, suggested I try big-band music, so we spent a year experimenting with it in concert, and the audience reaction was really good.
I worry a lot about what people think. I worry people think I'm not helping them enough, that they don't like my music, that I'm playing a song too fast or talking too fast. I worry my wife isn't happy with our relationship... I'm afraid somebody's going to take my career away from me. That it's going to go away, or I'm going to get fired.
Being in music forever, I have good pitch, so I know when I'm singing in or out of tune. But the key to really good singing is just relaxing and thinking about what the song is.
A song called Never. Which we never play. But it's a great song.
Every song I've ever written always starts with the words because I want the music to be the musical extension of the feelings of the words, and not the words being the emotional extension of the feeling of the music.
I have this dreadful image of me driving down Sunset Boulevard in Los Angeles, with the windows rolled down, and our song comes on... and I'm sitting there listening to it and some guy pulls up next to me and thinks, 'Hey, it's that guy from the Goo Goo Dolls... he's listening to his own music. What a jerk!'
A song like 'Once You Wake Up,' is about that realization... about finally wanting to live.
'Sam Stone' is a song about futility.
I just like a good, sad song. The sadder, the better. It moves me.
I'd rather get a hot dog or a doughnut than write a song.
Because of my song 'Sam Stone,' a lot of people thought I was interested in writing protest songs. Writing protest songs always struck me as patting yourself on the back.
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